A work in constant progress (and occasional regress).
Alias:
Majo Córdova
Birthplace:
Hermosillo, Sonora, Mexico
María José Córdova is a Mexican film and TV producer.
Executive Producer:
2021 The House of Flowers: The Movie
Producer:
2016 Tales of an Immoral Couple
2017 The Eternal Feminine
2018 Bayonet
2018 Buy Me a Gun
2018 Perfectos desconocidos
2019 The Good Girls
2020 No Returns
2021 Anonymously Yours
2021 The House of Flowers: The Movie
2022 Noise
2023 Hurricane Season
2023 Where the Tracks End
2024 Down the Rabbit Hole
2024 Eureka
???? Oca
Production Coordinator:
2013 Heli
2016 Tales of an Immoral Couple
2017 The Eternal Feminine
2018 Bayonet
2018 Buy Me a Gun
2018 Perfectos desconocidos
2019 The Good Girls
2020 No Returns
2021 Anonymously Yours
2021 The House of Flowers: The Movie
2022 Noise
2023 Hurricane Season
2023 Where the Tracks End
2024 Down the Rabbit Hole
2024 Eureka
???? Oca
Production Manager:
2013 Heli
2014 I've Never Had A Hilda
2014 Manuela Jankovic's War
2016 Tales of an Immoral Couple
2017 The Eternal Feminine
2018 Bayonet
2018 Buy Me a Gun
2018 Perfectos desconocidos
2019 The Good Girls
2020 No Returns
2021 Anonymously Yours
2021 The House of Flowers: The Movie
2022 Noise
2023 Hurricane Season
2023 Where the Tracks End
2024 Down the Rabbit Hole
2024 Eureka
???? Oca
Executive Producer:
2018 The House of Flowers
2022 Holy Family
2022 Rebelde
2023 Thursday's Widows
Producer:
2018 The House of Flowers
2020 Someone Has to Die
2022 Holy Family
2022 Once Upon a Time... Happily Never After
2022 Rebelde
2023 Thursday's Widows
???? Serpientes y Escaleras
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.