A work in constant progress (and occasional regress).
Release Date:
October 27, 2017
Original Title:
Los adioses
Alternate Titles:
Eterno femminile
Genres:
Drama
Production Companies:
Woo Films
Production Countries:
Mexico
Ratings / Certifications:
MX: C
Runtime: 86
Rosario Castellanos is an introverted university student who doesn't seem to belong to her time. In the early 1950s in Mexico City, she is fighting to have voice heard in a society run by men. She is about to become one of the biggest female writers in Mexican literature, but her tumultuous love story with Ricardo Guerra will manifest her fragility and contradictions. At the peak of her career and her marriage, she will ignite a discussion that will mark a turning point in her life.
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Art Department Coordinator:
Alettia Molina
Boom Operator:
Manuel G. Aguirre
Camera Operator:
Odei Zabaleta
Costume Design:
Anna Terrazas
Director:
Natalia Beristáin
Director of Photography:
Dariela Ludlow Deloya
Editor:
Miguel Schverdfinger
Executive Producer:
Kyzza Terrazas
Foley:
Chema Ramos Roa
Foley Editor:
Paulina Gonzalez
Line Producer:
Andrea Gamboa
Music Supervisor:
Lynn Fainchtein
Producer:
Rafael Ley
Gerardo Morán
María José Córdova
Production Design:
Carlos Y. Jacques
Screenplay:
Javier Peñalosa
Sound:
Lionel Guenoun
Sound Editor:
Jaime Juárez
Supervising Sound Editor:
Alejandro de Icaza
Enrique Fernández Tanco
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.