A work in constant progress (and occasional regress).
Alias:
Hermann Weigel
Birthplace:
Moers, Germany
Born:
March 22, 1950
Author:
1981 Christiane F.
Co-Producer:
1981 Christiane F.
1989 Last Exit to Brooklyn
1990 Werner - Beinhart!
1994 Voll Normaaal
Dramaturgy:
1980 Franz - Der leise Weg
1981 Christiane F.
1989 Last Exit to Brooklyn
1990 Werner - Beinhart!
1994 Voll Normaaal
Producer:
1980 Franz - Der leise Weg
1981 Christiane F.
1989 Last Exit to Brooklyn
1990 Werner - Beinhart!
1994 Voll Normaaal
1997 Ballermann 6
2003 Werner - Gekotzt wird später!
2005 Siegfried
2007 Why Men Don't Listen and Women Can't Read Maps
2011 Werner - Eiskalt!
2019 The Golden Glove
2022 A Stasi Comedy
Screenplay:
1980 Franz - Der leise Weg
1981 Christiane F.
1984 The NeverEnding Story
1989 Last Exit to Brooklyn
1990 Werner - Beinhart!
1994 Voll Normaaal
1996 Charleys Tante
1997 Ballermann 6
2003 Werner - Gekotzt wird später!
2004 A2 Racer
2005 Siegfried
2007 Why Men Don't Listen and Women Can't Read Maps
2011 Werner - Eiskalt!
2019 The Golden Glove
2022 A Stasi Comedy
Writer:
1976 The Sternstein Manor
1980 Franz - Der leise Weg
1981 Christiane F.
1984 The NeverEnding Story
1989 Last Exit to Brooklyn
1990 Werner - Beinhart!
1994 Voll Normaaal
1996 Charleys Tante
1997 Ballermann 6
2003 Werner - Gekotzt wird später!
2004 A2 Racer
2005 Siegfried
2007 Why Men Don't Listen and Women Can't Read Maps
2011 Werner - Eiskalt!
2019 The Golden Glove
2022 A Stasi Comedy
Executive Producer:
1999 Hausmeister Krause – Ordnung muss sein
Producer:
1999 Hausmeister Krause – Ordnung muss sein
Screenplay:
1979 Das Ding
1999 Hausmeister Krause – Ordnung muss sein
Story:
1979 Das Ding
1999 Hausmeister Krause – Ordnung muss sein
Writer:
1979 Das Ding
1999 Hausmeister Krause – Ordnung muss sein
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.