A work in constant progress (and occasional regress).
Release Date:
April 26, 1985
Original Title:
King Kongs Faust
Genres:
Comedy
Production Companies:
Independent Feature Project
Katrin Seybold Film GmbH
NDR
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 80
Berlin Film Fest 1984. The best place for every cinema fan. Everyone wants to be in on the festival, but that may be really difficult, if one has no accreditation. Also Journalist Matthies gets to know the rules of being in or out when he wants to see a screening and is not welcome. Thus he watches an old German silent flick which he is barely interested in. The next day the newspapers are full of reports about a newly discovered German masterpiece from the silent era. It seems that Matthies had luck. He just saw *the* film everybody is talking about now. Also everybody is speculating about its director, who remains unknown. When Matthies talks to Ackrewa, an old befriended projectionist, about the film, the latter seems to recall the name of the director. Matthies decides to research the case. An odyssey into film-history begins and if it is successful Matthies will come up with a top story.
Costume Design:
Claus-Jürgen Pfeiffer
Monika Grube
Director:
Heiner Stadler
Director of Photography:
Heiner Stadler
Markus Dürr
Editor:
Angelique Fiedler
Rolf Basedow
Executive Producer:
Katrin Seybold
Lighting Technician:
Peter A. Hoffman
Location Manager:
Karin Howard
Luciana Cabarga
Makeup Artist:
Helga Sander
Music:
Gerhard Stäbler
Reiner Helmreich
Producer:
Eberhard Scharfenberg
Production Manager:
Monika Aubele
Production Office Coordinator:
Kathleen Canady
Screenplay:
Heiner Stadler
Liliane Targownik
Ulrich Enzensberger
Rolf Giesen
Set Designer:
Monika Grube
Claus-Jürgen Pfeiffer
Sound Director:
Toni Sulzbeck
Sound mixer:
Manfred Arbter
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.