Mario Albertelli

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Camera Car:
1954  Mother's Heart

Camera Operator:
1948  La cigarra
1954  Mother's Heart

Cinematography:
1939  Two Millions For a Smile
1948  La cigarra
1948  Legge di sangue
1949  Come scopersi l'America
1953  Frine cortigiana d'Oriente
1954  Mother's Heart

Director:
1924  Dove si lavora per la grandezza d'Italia
1939  Two Millions For a Smile
1948  La cigarra
1948  Legge di sangue
1949  Come scopersi l'America
1953  Frine cortigiana d'Oriente
1954  Mother's Heart

Director of Photography:
1924  Dove si lavora per la grandezza d'Italia
1937  La fossa degli angeli
1938  Ettore Fieramosca
1939  Cose dell'altro mondo
1939  In campagna è caduta una stella
1939  L'amore si fa così
1939  Two Millions For a Smile
1940  La fanciulla di Portici
1940  Maddalena, Zero for Conduct
1942  Giorno di nozze
1942  Rossini
1943  Gioco d'azzardo
1943  Tempesta sul golfo
1946  La gondola del diavolo
1946  Lucia di Lammermoor
1946  Pronto, chi parla?
1948  La cigarra
1948  Legge di sangue
1949  Cenerentola
1949  Come scopersi l'America
1949  Femmina incatenata
1950  47 Talking Corpses
1950  Figaro qua... Figaro là
1950  Le sei mogli di Barbablù
1950  Toto the Sheik
1950  Totò cerca moglie
1951  Il mago per forza
1951  Il microfono è vostro
1951  My Heart Sings
1951  Ours are coming
1952  Il segreto delle tre punte
1952  The Lucky Five
1952  Vendetta... sarda
1953  Frine cortigiana d'Oriente
1953  Ho scelto l'amore
1953  The Man From Cairo
1954  Mother's Heart
1954  Papà Pacifico
1955  Scampolo 53
1956  Toto, Peppino, and the Hussy
1956  Totò, Peppino e i fuorilegge
1959  Peppino e la vecchia signora

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.