A work in constant progress (and occasional regress).
Release Date:
March 3, 1953
Original Title:
Ho scelto l'amore
Alternate Titles:
Han valgte kjærligheten
Genres:
Comedy
Production Companies:
Film Costellazione
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 90
A satire of the Cold War, Italian style. Soviet flunkey Boris Popovitc is sent on a goodwill mission to Rome, where he is to deliver a symbolic dove of peace to a group of WW II freedom fighters. Somehow, Boris winds up in Venice minus the dove. As he searches up street and down canal for the missing bird, he meets and falls in love with luscious flower-girl Maria.
Assistant Camera:
Nello Renzi
Assistant Costume Designer:
Marisa Crimi
Assistant Editor:
Andreina Giglietti
Assistant Production Design:
Piero Poletto
Camera Operator:
Silvano Ippoliti
Guglielmo Lombardi
Costume Design:
Mario Chiari
Director:
Mario Zampi
Director of Photography:
Rodolfo Lombardi
Mario Albertelli
Editor:
Romano Zampi
First Assistant Director:
Gus Agosti
Hairstylist:
Attilio Camarda
Makeup Artist:
Eligio Trani
Original Music Composer:
Roman Vlad
Producer:
Turi Vasile
Production Design:
Mario Chiari
Production Manager:
Nicola Morabito
Production Secretary:
Adolfo Fabrizi
Giorgio Tedeschi
Screenplay:
Giorgio Prosperi
Mario Zampi
Achille Campanile
Vittorio Calvino
Renato Rascel
Script Supervisor:
Elsa Carnevali
Vanda Tuzzi
Second Assistant Director:
Franco Morabito
Mauro Bolognini
Sound:
Ennio Sensi
Still Photographer:
Osvaldo Civirani
Story:
Vittorio Calvino
Unit Manager:
Mario Gabrielli
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.