Roman Osin (b. 1961)

Birthplace:
Leipzig, Germany

Born:
May 1, 1961

Roman Osin, born - in Leipzig at the time of former East Germany, was already a bit of a globe trotter in his early formative years, preparing him well for the international career in Cinematography he was to achieve in his adulthood. Blessed with a natural keen eye for the poetry of light, movement, and framing, he spent his teens hooked on movies and photography, and was a slam dunk for entering film school in London to carve out his future vocation. After the first – the LCP (now London School of Communication) He quickly asserted himself as a director of music videos before returning to the prestigious NFTS - National Film and Television School, to focus on Cinematography. Straight out of the gate, after his successful collaboration as dop on a student film that won the Cannes Student film award, his first feature film had him jump on a plane to India again with fellow film makers and shoot the two times Bafta award winning Debut feature by Asif Kapadia – “The Warrior”, which won a number of cinematography prizes and set his career in forward motion with a string of award winning films to follow, including the much loved “Pride and Prejudice" by Joe Wright, the brutally honest critically acclaimed “NEDs” by Peter Mullen. Asif’s later beautiful but dark psychological thriller “Far North”, and more recently the wonderfully tense Horror “Autopsy of Jane Doe" by Andre Ovredal.

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.