A work in constant progress (and occasional regress).
Release Date:
August 8, 2019
Original Title:
Scary Stories to Tell in the Dark
Alternate Titles:
Chuyện Kinh Dị Lúc Nửa Đêm
Contes de por per explicar-los a les fosques
Histoires effrayantes à raconter dans le noir
Historias de miedo para contar en la oscuridad
Histórias Assustadoras para Contar no Escuro
Jezive priče iz mraka
Korku Hikayeleri
Lidérces mesék éjszakája
Nočné mory z temnôt
Noční můry z temnot
Povești de groază de spus pe întuneric
Rrëfenjat e frikshme të errësires
Scary Stories
Strašljive zgodbe
Upiorne opowieści po zmroku
scary-stories-to-tell-in-the-dark
Šausmu stāsti tumšām novakarēm
Šiurpios istorijos pasakojimui tamsoje
Τρομακτικές Ιστορίες στο Σκοτάδι
Језиве приче из мрака
Страшни истории, разказани в мрака
Страшные истории для рассказа в темноте
Страшні історії для розповіді в темряві
סיפורים מפחידים שמספרים בחשיכה
قصص مخيفة تحكى في الظلام
คืนนี้มีสยอง
スケアリーストーリーズ 怖い本
在黑暗中說的鬼故事
在黑暗中讲述的恐怖故事
講鬼故
스케어리 스토리: 어둠의 속삭임
Genres:
Adventure | Horror | Mystery
Production Companies:
1212 Entertainment
CBS Films
Double Dare You
Entertainment One
Hivemind
Rolling Hills
Starlight Culture Entertainment Group
Production Countries:
Canada | Hong Kong | United States of America
Ratings / Certifications:
AR: 13 AU: M BR: 14 CZ: 12 DE: 16 DK: 15 ES: 16 FI: K-16 FR: U|10 GB: 15 HK: IIB HU: 16 IE: 15A IL: 14 JP: G KR: 15세 이상 관람가 LT: N-13 MY: P13 PL: 16 PT: M/16 RU: 16+ SE: 15 SG: NC16 SK: 15 US: PG-13
Runtime: 108
Mill Valley, Pennsylvania, Halloween night, 1968. After playing a joke on a school bully, Stella and her friends decide to sneak into a supposedly haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control.
"A" Camera Operator:
Gilles Corbeil
"B" Camera Operator:
Anton Van Rooyen
ADR Editor:
German Camardella
ADR Mixer:
Bill Higley
Bobby Johanson
Jeffrey Roy
ADR Recordist:
Paul Lynch
Art Department Coordinator:
Dusty Reeves
Art Direction:
Brandt Gordon
Assistant Costume Designer:
Mia Sturup
Assistant Director:
Mario C. Cacioppo
Rory James
Assistant Hairstylist:
Cheryl Ross
Assistant Makeup Artist:
Andrea Brown
Assistant Property Master:
Everett Biggar
Nicole Stephenson
Book:
Alvin Schwartz
Boom Operator:
Michael Lee Taylor
CG Supervisor:
J. Alan Bradshaw
Cristian Camaroschi
Carpenter:
Owain Harris
Casting Director:
Rich Delia
Co-Executive Producer:
Zhitang Chen
Compositing Supervisor:
Lucian Boicu
Compositor:
Matthew Beightol
Colleen Catton
Sagar Dhondge
Concept Artist:
Vincent Proce
Mauricio Ruiz
Construction Coordinator:
Phillip Tellez
Contact Lens Painter:
Kevin Carter
Contact Lens Technician:
Alexandra Anger
Alanna Dickie
Costume Designer:
Ruth Myers
Costume Supervisor:
Jane Flanders
Digital Compositor:
Ameya Adchule
Barb Benoit
Yuting Chen
Chris Hagfors Dahlmo
Markus Dahlstrøm
Digital Imaging Technician:
Spencer Gray
Director:
André Øvredal
Director of Photography:
Roman Osin
Editor:
Patrick Larsgaard
Executive In Charge Of Post Production:
Jack Schuster
Executive Producer:
Roberto Grande
Joshua Long
Peter Luo
Alex Ginno
First Assistant "A" Camera:
Doug Lavender
First Assistant "B" Camera:
Mark Cyre
First Assistant Director:
Mark Lukac
Myron Hoffert
First Assistant Sound Editor:
Claudia Pinto
Foley Artist:
Steve Hammond
Gaffer:
Michael L. Hall
Graphic Designer:
Heather Carlson
Theresa Shain
Hair Department Head:
Cliona Furey
Key Hair Stylist:
Jacqueline Robertson Cull
Key Makeup Artist:
Trason Fernandes
Key Scenic Artist:
Victor 'Chikko' Quon
Makeup Artist:
Daniel McGraw
Makeup Department Head:
Colin Penman
Music Supervisor:
Howard Paar
Original Music Composer:
Marco Beltrami
Anna Drubich
Post Production Supervisor:
Douglas Wilkinson
Post-Production Manager:
Shadi Enayati
Producer:
Jason F. Brown
Sean Daniel
Guillermo del Toro
Elizabeth Grave
J. Miles Dale
Production Design:
David Brisbin
Production Executive:
Laurel Thomson
Jon Romano
Production Manager:
Regina Robb
Property Master:
Mary Arthurs
Props:
Tija Smith
Screenplay:
Dan Hageman
Kevin Hageman
Screenstory:
Patrick Melton
Marcus Dunstan
Guillermo del Toro
Script Supervisor:
Dug Rotstein
Second Assistant Director:
Tyler Delben
Second Unit Director:
Nicholas Müller-Osborne
Nic Osborne
Second Unit Director of Photography:
Colin Hoult
Senior Visual Effects Supervisor:
Dennis Berardi
Set Decoration:
Patricia Larman
Set Decoration Buyer:
David Gruer
Set Designer:
Sorin Popescu
Etienne Gravrand
Set Dresser:
Lauren Batcher
Steve Bryant
Linda Cheung
John Hinz
Jonathan Kovacs
Simon March
Ryan McCaffrey
Alexander Narizni
Peter C. Strange
Sound Designer:
Joe Dzuban
Sound Editor:
Tyler Whitam
Steve Medeiros
Sound Effects Editor:
Tyler Whitham
Sound Mixer:
Greg Chapman
Erika Schengili-Roberts
Glen Gauthier
Sound Re-Recording Mixer:
Ihor Kaniuk
Andrew Tay
Mike Woroniuk
Special Effects:
Tim Phoenix
Special Effects Coordinator:
Geoff Hill
Special Effects Technician:
Laura Kennedy
Steadicam Operator:
Gilles Corbeil
Still Photographer:
George Kraychyk
Storyboard Artist:
Rob Ballantyne
Alex Hadjiantoniou
Stunt Coordinator:
Darren McGuire
Supervising Sound Editor:
J.R. Fountain
Jill Purdy
Thanks:
Norman Lesperance
Third Assistant Director:
Janine Fung
Missy Morris
Unit Production Manager:
J. Miles Dale
Visual Effects:
Bhardwaj Divyanshu
Visual Effects Coordinator:
Andrew Carruthers
Visual Effects Production Manager:
Jyoti Bhalchandra Deshpande
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.