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Yvette Durrenberger

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Film Production

Producer:
2016  Elton John: A Singular Man
2016  Generation Sputnik
2017  Dark Glamour: The Blood and Guts of Hammer Productions
2017  La Cicciolina: Godmother of Scandal
2018  Egon Schiele: Between Love and Hate
2018  Ryan Gosling: Hollywood's Demigod
2019  Birkenstock – Die Freiheit trägt Sandale
2019  Cougar: On the Trail of the Ghost Cat
2019  Forman vs. Forman
2019  Inondations : une menace planétaire
2019  The Price of Protest
2021  Das Boot Revisited: An Underwater Success Story
2022  Poutine, le retour de l'ours dans la danse

Production Manager:
2016  Elton John: A Singular Man
2016  Generation Sputnik
2017  Dark Glamour: The Blood and Guts of Hammer Productions
2017  La Cicciolina: Godmother of Scandal
2018  Egon Schiele: Between Love and Hate
2018  Ryan Gosling: Hollywood's Demigod
2019  Birkenstock – Die Freiheit trägt Sandale
2019  Cougar: On the Trail of the Ghost Cat
2019  Forman vs. Forman
2019  Inondations : une menace planétaire
2019  The Good Death
2019  The Price of Protest
2020  Mucha: The Story of an Artist Who Created a Style
2021  Das Boot Revisited: An Underwater Success Story
2022  Dalibor
2022  Poutine, le retour de l'ours dans la danse
2022  To New Shores

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TV Production

Producer:
2020  À l’écoute de la nature

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.