A work in constant progress (and occasional regress).
Release Date:
February 15, 2022
Original Title:
Poutine, le retour de l'ours dans la danse
Alternate Titles:
Putin - Die Rückkehr des russischen Bären
Putins Bären – Die gefährlichsten Hacker der Welt
Genres:
Documentary
Production Companies:
ARTE
What's Up Films
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 54
After twenty years in power, Vladimir Putin continues to implement his geopolitical strategy with Russia’s comeback on the big stage of world politics. He already announced his ambitions in 2007 – and still, it seems like the western governments were hit completely unprepared. What is behind this repeat of the Cold War?
Administration:
David Vincent
Assistant Director:
Saskia Weber
Assistant Editor:
Martin Lecointre
Antoine Lippens
Félix Perier
Cinematography:
Oleg Lyubimov
Frédéric Tonolli
Dimitri Vershinin
Director:
Frédéric Tonolli
Editor:
Gautier Larnicol
Editorial Staff:
Rusina Shiikhatova
Executive Producer:
Elsa Le Peutrec
Graphic Designer:
Houman Badr
Information Systems Manager:
Marco Nassivera
Claudia Bucher
Line Producer:
Matthieu Belghiti
Mixing Engineer:
Macchieu Cochin
Original Music Composer:
Jean-Michel Dunyach
Other:
Aurélien Connet
Éric Rey
Producer:
Yvette Durrenberger
Heike Lettau
Production Assistant:
Alexane Guillot
Production Director:
Pierre Carrique
Production Trainee:
Elodie Filleul
Mariama Diomandé
Researcher:
Elena Zologuina
Karim Kamrani Chajar
Sound Editor:
Éric Rey
Title Designer:
Charles-Alexandre Blengino
Translator:
Asia Kovrigina
Yanis Kurkov
Pauline Narychkina
Guillaume Pauthier
Clara-Marie Nasser
Visual Effects:
Yohan Leroy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.