John D. Boswell

Alias:
Джон Босвелл

Birthplace:
Washington, District of Columbia, USA

A filmmaker, composer, and editor from the pacific northwest. His work spans from television and music production to viral remixes and mashups, and has drawn over 100 million views online.  Most recently, created the 8 part series ORIGINS for National Geographic, and has done extensive work with Disney, PBS, and many other collaborators. A TED guest and Webby Award winner, he strives to evoke a sense of awe with his work by celebrating the musicality of life, nature, and pop culture.

Additional information:

The Search Form


Creator:
2024  Life Beyond - Visions of Alien Life

Director:
2019  Timelapse of the Future: A Journey to the End of Time
2022  The Sights of Space: A Voyage to Spectacular Alien Worlds
2023  THE HUMAN FUTURE: A Case for Optimism
2024  Life Beyond - Visions of Alien Life
2025  ENGINEERING EARTH: Sci-Fi Solutions to Earth's Problems

Editor:
2019  Timelapse of the Future: A Journey to the End of Time
2022  The Sights of Space: A Voyage to Spectacular Alien Worlds
2023  THE HUMAN FUTURE: A Case for Optimism
2024  Life Beyond - Visions of Alien Life
2025  ENGINEERING EARTH: Sci-Fi Solutions to Earth's Problems

Music:
2019  Timelapse of the Future: A Journey to the End of Time
2022  The Sights of Space: A Voyage to Spectacular Alien Worlds
2023  THE HUMAN FUTURE: A Case for Optimism
2024  Life Beyond - Visions of Alien Life
2025  ENGINEERING EARTH: Sci-Fi Solutions to Earth's Problems

Original Music Composer:
2019  Timelapse of the Future: A Journey to the End of Time
2022  The Sights of Space: A Voyage to Spectacular Alien Worlds
2023  THE HUMAN FUTURE: A Case for Optimism
2024  Life Beyond - Visions of Alien Life
2025  ENGINEERING EARTH: Sci-Fi Solutions to Earth's Problems

Producer:
2019  Timelapse of the Future: A Journey to the End of Time
2022  The Sights of Space: A Voyage to Spectacular Alien Worlds
2023  THE HUMAN FUTURE: A Case for Optimism
2024  Life Beyond - Visions of Alien Life
2025  ENGINEERING EARTH: Sci-Fi Solutions to Earth's Problems

Sound:
2019  Timelapse of the Future: A Journey to the End of Time
2022  The Sights of Space: A Voyage to Spectacular Alien Worlds
2023  THE HUMAN FUTURE: A Case for Optimism
2024  Life Beyond - Visions of Alien Life
2025  ENGINEERING EARTH: Sci-Fi Solutions to Earth's Problems

Story:
2019  Timelapse of the Future: A Journey to the End of Time
2022  The Sights of Space: A Voyage to Spectacular Alien Worlds
2023  THE HUMAN FUTURE: A Case for Optimism
2024  Life Beyond - Visions of Alien Life
2025  ENGINEERING EARTH: Sci-Fi Solutions to Earth's Problems

Visual Effects:
2019  Timelapse of the Future: A Journey to the End of Time
2022  The Sights of Space: A Voyage to Spectacular Alien Worlds
2023  THE HUMAN FUTURE: A Case for Optimism
2024  Life Beyond - Visions of Alien Life
2025  ENGINEERING EARTH: Sci-Fi Solutions to Earth's Problems

Writer:
2019  Timelapse of the Future: A Journey to the End of Time
2022  The Sights of Space: A Voyage to Spectacular Alien Worlds
2023  THE HUMAN FUTURE: A Case for Optimism
2024  Life Beyond - Visions of Alien Life
2025  ENGINEERING EARTH: Sci-Fi Solutions to Earth's Problems

Creator:
2019  Life Beyond

Executive Producer:
2017  Origins: The Journey of Humankind
2019  Life Beyond
2023  Funny Or Die's High Science

Original Music Composer:
2017  Origins: The Journey of Humankind
2019  Life Beyond
2023  Funny Or Die's High Science

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.