A work in constant progress (and occasional regress).
Release Date:
March 20, 2019
Original Title:
Timelapse of the Future: A Journey to the End of Time
Alternate Titles:
Timelapse Masa Depan: Menuju Akhirat
Timelapse Przyszlosci: Wyprawa na koniec czasu
Timelapse del Futuro: Viaggio verso la Fine del Tempo
Timelapse do Futuro: Uma Jornada até o Fim dos Tempos
Перемотка Будущего: Путешествие в конец времени
Genres:
Documentary
Production Companies:
Amber Mountain Studios
Melodysheep
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 29
How's it all gonna end? This experience takes us on a journey to the end of time, trillions of years into the future, to discover what the fate of our planet and our universe may ultimately be. We start in 2019 and travel exponentially through time, witnessing the future of Earth, the death of the sun, the end of all stars, proton decay, zombie galaxies, possible future civilizations, exploding black holes, the effects of dark energy, alternate universes, the final fate of the cosmos - to name a few.
Director:
John D. Boswell
Editor:
John D. Boswell
Original Music Composer:
John D. Boswell
Producer:
John D. Boswell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.