A work in constant progress (and occasional regress).
Camera Operator:
1972 Pink Floyd: Live at Pompeii
Director:
1970 Mode d’Emploi, Les Nouveaux Réalistes
1972 Pink Floyd: Live at Pompeii
1978 James Brown Soul Brother No. 1
1978 Monsieur René Magritte
1987 Paul Delvaux: The Sleepwalker of Saint Idesbald
1989 Helmut Newton: Frames from the Edge
2001 Les Khmers Rouges: Pouvoir et Terreur
2003 Hieronymus Bosch
2005 Pink Floyd: Live Anthology
2011 Comrade Duch: The Bookkeeper of Death
2013 Chit Chat with Oysters
Script:
1970 Mode d’Emploi, Les Nouveaux Réalistes
1972 Pink Floyd: Live at Pompeii
1978 James Brown Soul Brother No. 1
1978 Monsieur René Magritte
1987 Paul Delvaux: The Sleepwalker of Saint Idesbald
1989 Helmut Newton: Frames from the Edge
2001 Les Khmers Rouges: Pouvoir et Terreur
2003 Hieronymus Bosch
2005 Pink Floyd: Live Anthology
2011 Comrade Duch: The Bookkeeper of Death
2013 Chit Chat with Oysters
Writer:
1970 Mode d’Emploi, Les Nouveaux Réalistes
1972 Pink Floyd: Live at Pompeii
1978 James Brown Soul Brother No. 1
1978 Monsieur René Magritte
1987 Paul Delvaux: The Sleepwalker of Saint Idesbald
1989 Helmut Newton: Frames from the Edge
2001 Les Khmers Rouges: Pouvoir et Terreur
2003 Hieronymus Bosch
2005 Pink Floyd: Live Anthology
2011 Comrade Duch: The Bookkeeper of Death
2013 Chit Chat with Oysters
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.