A work in constant progress (and occasional regress).
Release Date:
October 25, 1972
Original Title:
Pink Floyd: Live at Pompeii
Alternate Titles:
Echoes: Pink Floyd
Pink Floyd
Pink Floyd at Pompeii - MCMLXXII
Pink Floyd at Pompeii MCMLXXII
Genres:
Documentary | Music
Production Companies:
BR
ORTF
RM Productions Fernseh- und Filmgesellschaft
RTBF
Production Countries:
Belgium | France | Germany
Ratings / Certifications:
AU: PG BR: 12 ES: 12
Runtime: 92
British progressive rock band Pink Floyd perform at the ancient Roman Amphitheater in the ruins of Pompeii, Italy in 1971. Although the band perform a typical live set from the era, there is no audience beyond the basic film crew. The Bluray version of 2025 contains the following audio streams: 96kHz / 24bit LPCM uncompressed, 96kHz / 24bit 5.1 Dolby TrueHD, Dolby Atmos (Feature film only). You can choose to watch the entire movie or just the concert.
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Associate Producer:
Michèle Arnaud
Reiner E. Moritz
Camera Operator:
Claude Agostini
Christophe Bazille
Jacques Boumendil
Henri Czap
Gérard Hameline
Adrian Maben
Philippe Théaudière
Continuity:
Marie-Noel Zurstrassen
Director:
Adrian Maben
Director of Photography:
Willy Kurant
Gábor Pogány
Editor:
José Pinheiro
Nino Di Fonzo
Music:
Roger Waters
David Gilmour
Nick Mason
Richard Wright
Sound Engineer:
Charles Rauchet
Peter Watts
Sound Mixer:
Philippe Carrere
Paul Berthault
Special Effects:
Michel Francois
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.