A work in constant progress (and occasional regress).
Assistant Editor:
2008 Until the Light Takes Us
Colorist:
2008 Until the Light Takes Us
2018 The Rest I Make Up
2021 Truman & Tennessee: An Intimate Conversation
Digital Intermediate Colorist:
2008 Until the Light Takes Us
2017 The Bomb
2018 The Rest I Make Up
2021 Truman & Tennessee: An Intimate Conversation
Digital Intermediate Editor:
2008 Until the Light Takes Us
2010 Boxing Gym
2017 The Bomb
2018 The Rest I Make Up
2021 Truman & Tennessee: An Intimate Conversation
Editorial Services:
2008 Until the Light Takes Us
2009 American Casino
2010 Boxing Gym
2017 The Bomb
2018 The Rest I Make Up
2021 Truman & Tennessee: An Intimate Conversation
Online Editor:
2008 Until the Light Takes Us
2009 American Casino
2010 Boxing Gym
2012 River of No Return
2017 The Bomb
2018 The Rest I Make Up
2021 Truman & Tennessee: An Intimate Conversation
2022 Wisdom Gone Wild
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.