A work in constant progress (and occasional regress).
Release Date:
August 6, 2022
Original Title:
Wisdom Gone Wild
Genres:
Documentary
Production Companies:
Center for Asian American Media (CAAM)
Farthest Films
Ghost Pictures Productions
Production Countries:
United States of America
Ratings / Certifications:
KR: All
Runtime: 85
Ever since the onset of her dementia, reality, dream and nightmare have become intertwined for Rose, making her something like a maverick time traveler. Her filmmaker daughter Rea Tajiri is also her caregiver. In this fond portrait, she visualizes Rose’s spiritual, philosophical and sometimes surprisingly specific stories in the order they come: a non-linear sequence illustrated by her own footage shot over many years, accompanied by snatches of conversations and images from the family archive. Rose’s eventful journey through time is rich with memories and sensitively accompanied by a fitting soundtrack.
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ADR Editor:
Gisela Fullà-Silvestre
ADR Mixer:
Gisela Fullà-Silvestre
ADR Recordist:
Sean-Michael Hamilton
Accountant:
Gayle Isa
Mary Seng
Siyi Fu
Additional Editor:
Linda Hattendorf
Rea Tajiri
Paul Alexander Juutilainen
Dita Gruze
Animation:
Lindsay Martin
Art Designer:
Midori Tajiri-Byrd
Assistant Editor:
Qiuchen Cao
Alex Friend
Genevieve Faust
Frank Fortino
Rosylyn Rhee
Anice Jee
Associate Producer:
Reiko Tahara
Cinematography:
Andrew "Dru" Mungai
Christian Bruno
Ann Kaneko
Sherri Kauk
Colorist:
Chris Ramey
Director:
Rea Tajiri
Editor:
Catherine Hollander
Film Processor:
Richard Beenen
Harley Scroggins
Jino Lee
Legal Services:
Isaac Hager
Cecilia Mao
Justine Jacob
Makeup & Hair:
Sophie Davies
Music:
Shakuru Tajiri
Online Editor:
David Gauff
Post Production Producer:
Alex Laviola
Producer:
Rea Tajiri
Production Design:
David Wasco
Production Designer:
David Wasco
Research Assistant:
Susan Poplar
Second Unit Cinematographer:
Ethan Schwartz
Ann Kaneko
Oscar Molina
Sarah Wong
Set Decoration:
Sandy Reynolds-Wasco
Sound Recordist:
Joshua Madoff
Visual Effects:
Harley Scroggins
Writer:
Rea Tajiri
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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