A work in constant progress (and occasional regress).
Fight Choreographer:
2012 National Theatre Live: The Curious Incident of the Dog in the Night-Time
2013 Merrily We Roll Along
2014 From Here To Eternity
2014 National Theatre Live: War Horse
2016 The Merchant of Venice - Live at Shakespeare's Globe
2017 National Theatre Live: Angels In America — Part One: Millennium Approaches
2017 National Theatre Live: Angels In America — Part Two: Perestroika
2018 Julius Caesar
2018 National Theatre Live: Julius Caesar
2020 National Theatre Live: Cyrano de Bergerac
2021 National Theatre Live: Constellations
2021 RSC Live: The Winter's Tale
2022 National Theatre Live: The Book of Dust — La Belle Sauvage
2023 RSC Live: All's Well That Ends Well
2024 National Theatre Live: The Effect
2024 National Theatre Live: The Father and the Assassin
2024 National Theatre Live: The Grapes of Wrath
Stunt Coordinator:
2012 National Theatre Live: The Curious Incident of the Dog in the Night-Time
2013 Merrily We Roll Along
2014 From Here To Eternity
2014 National Theatre Live: War Horse
2016 The Merchant of Venice - Live at Shakespeare's Globe
2017 National Theatre Live: Angels In America — Part One: Millennium Approaches
2017 National Theatre Live: Angels In America — Part Two: Perestroika
2018 Julius Caesar
2018 National Theatre Live: Julius Caesar
2020 National Theatre Live: Cyrano de Bergerac
2021 National Theatre Live: Constellations
2021 RSC Live: The Winter's Tale
2021 Romeo & Juliet
2022 National Theatre Live: The Book of Dust — La Belle Sauvage
2023 RSC Live: All's Well That Ends Well
2024 National Theatre Live: The Effect
2024 National Theatre Live: The Father and the Assassin
2024 National Theatre Live: The Grapes of Wrath
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.