A work in constant progress (and occasional regress).
Release Date:
July 20, 2017
Original Title:
National Theatre Live: Angels In America — Part One: Millennium Approaches
Alternate Titles:
Angels In America (A Gay Fantasia On National Themes) Part One: Millennium Approaches by Tony Kushner
Angels In America — Part One: Millennium Approaches
Angels In America: Millennium Approaches
Angels In America: Millennium Approaches (National Theatre Live)
NT Live: Angels In America — Part One: Millennium Approaches
Genres:
Drama
Production Companies:
National Theatre
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 185
The National Theatre's live theatrical production of Tony Kushner's two-part play 'Angels In America' about New Yorkers grappling with the AIDS crisis during the mid-1980s.
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Armory Coordinator:
Steve Dart
Paul Wanklin
Assistant Director:
Harry Mackrill
Associate Producer:
Ieva Bachtiarova
Camera Operator:
Matt Ingham
Dave Bowden
Vince Spooner
Wayne Ratcliffe
James Day
Camera Supervisor:
Giles Pritchard
Casting:
Jim Carnahan
Jacob Sparrow
Charlotte Bevan
Choreographer:
Robby Graham
Costume Design:
Nicky Gillibrand
Director:
Bridget Caldwell
Editor:
George Bushaway
Fight Choreographer:
Kate Waters
Hair Designer:
Giuseppe Cannas
Lighting Design:
Paule Constable
Lighting Director:
Bernie Davis
Lighting Supervisor:
Neill Pollard
Laurie Clayton
Makeup Designer:
Giuseppe Cannas
Original Music Composer:
Adrian Sutton
Post-Production Manager:
Jamie Isbell
Producer:
Flo Buckeridge
Kate Moore
Production Manager:
Jasmine Sandalli
Tariq Rifaat
Set Designer:
Ian MacNeil
Sound:
Joel Price
Clio Nonis
Jamie McIntyre
Sound Designer:
Ian Dickinson
Sound Engineer:
Joel Price
Alex Twiselton
Sound Supervisor:
Conrad Fletcher
Special Effects:
Steve Dart
Paul Wanklin
Stage Director:
Marianne Elliott
Theatre Play:
Tony Kushner
Unit Manager:
Sue Bourne
Wig Designer:
Giuseppe Cannas
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.