A work in constant progress (and occasional regress).
Caroline started as a runner and, she’s proud to say, worked as such on landmark series Our Friends in the North. She moved her way up the AD ladder, through to Production Manager then Line Producer on many different dramas and comedies. She’s filmed in many countries around the world like Morocco, Japan, Canada, Colombia and likes to show off by saying that in one twelve month period she shot on four continents. She was present at seminal TV moments, notably when PJ (Ant McPartlin) was ‘blinded’ on Byker Grove, when Daniel Craig admitted he didn’t have a driving licence as he was about to drive a pink Rolls Royce in Battersea Power Station and she’s been to the pub with Catherine Zeta Jones. She got her police series stripes on shows like Dalziel and Pascoe and 55 Degrees North and and once swore she’d NEVER do another period drama (how wrong she was). She first came to Big Talk as Line Producer on the marvellous The Job Lot series 2 and 3 and the fabulous series Mum, and took over as Head of Production as maternity cover in 2016. She’s still here.
Assistant Production Coordinator:
2004 Sky Captain and the World of Tomorrow
Second Assistant Director:
2003 The Brides in the Bath
2004 Sky Captain and the World of Tomorrow
2011 The Night Watch
Head of Production:
2024 The Completely Made-Up Adventures of Dick Turpin
Second Assistant Director:
1997 The Rag Nymph
1997 The Wingless Bird
2024 The Completely Made-Up Adventures of Dick Turpin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.