Sky Captain and the World of Tomorrow (2004) [PG]

Release Date:
September 17, 2004

Original Title:
Sky Captain and the World of Tomorrow

Alternate Titles:
Capitán Sky y el mundo del mañana
Capitão Sky e o Mundo de Amanhã
Nebeski kapetan i svet sutrašnjice
Nebesniyat kapitan i svetŭt na utreshniya den
Nebesnyy kapitan i mir budushchego
Nebesnyy kapitan i svit maybutnʹoho
Sky Captain: O kosmos tou avrio
天空上校和明日世界
空军上校和未来世界
轰天战士决战明日世纪

Genres:
Action | Adventure | Mystery | Science Fiction | Thriller

Production Companies:
Blue Flower
Brooklyn Films II
Filmauro
Riff Raff Entertainment

Production Countries:
Italy | United Kingdom | United States of America

Ratings / Certifications:
AU: PG  BR: 12  DE: 12  DK: 11  ES: PG  GB: PG  GR: 13  HU: 12  IE: PG  NL: 12  NO: 12  US: PG 

Runtime: 107

Who will save us?

When gigantic robots attack New York City, "Sky Captain" uses his private air force to fight them off. His ex-girlfriend, reporter Polly Perkins, has been investigating the recent disappearance of prominent scientists. Suspecting a link between the global robot attacks and missing men, Sky Captain and Polly decide to work together. They fly to the Himalayas in pursuit of the mysterious Dr. Totenkopf, the mastermind behind the robots.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

2D Supervisor:
Kevin O'Neill

3D Supervisor:
Melissa Almeida

ADR Mixer:
Doc Kane

ADR Recordist:
Alexander Beddow

ADR Supervisor:
Devon Heffley Curry

Additional Casting:
Craig Campobasso

Additional Music:
Tom Chichester-Clark

Additional Sound Re-Recording Mixer:
Gary Summers
Christopher Boyes

Animation:
Brett Paton
Merrick Rustia

Animation Supervisor:
Mauricio Baiocchi

Armorer:
Laurence Harvey

Art Department Coordinator:
Carrie Wilksen

Art Direction:
Kirsten Conran

Assistant Camera:
John M. Barbour

Assistant Costume Designer:
Pie Lombardi

Assistant Director:
Marcia Gay

Assistant Editor:
Dana B. Wilson

Assistant Production Coordinator:
Caroline Richards

Associate Editor:
Tim Coulter

Associate Producer:
Robert Gordon

Best Boy Grip:
Andy Hopkins

Boom Operator:
John Casali

CG Artist:
Lyoung Hui Kim

CG Supervisor:
Shadi Almassizadeh

Camera Operator:
Steven Hall

Camera Trainee:
Kate Reid

Casting:
Sheila Trezise

Casting Assistant:
Simon Drew

Casting Associate:
Janet Farris

Casting Consultant:
Richard Pagano

Co-Producer:
Hester Hargett
Brooke Breton

Color Designer:
Miae Kim

Compositing Supervisor:
Jance Allen

Compositors:
Colin Sittig
Rachel Wyn Dunn
John Dillon

Conceptual Design:
Thom Schillinger

Coordinating Producer:
Jacqueline Rosado

Costume Assistant:
Georgina Napier

Costume Design:
Kevin Conran
Stella McCartney

Creative Director:
Jarik Van Sluijs

Dialogue Coach:
Catherine Charlton

Dialogue Editor:
John Kwiatkowski

Digital Color Timer:
Steve Bowen

Digital Colorist:
Ben Estrada

Digital Compositors:
Lindsay Adams

Digital Effects Supervisor:
Jeff Goldman

Digital Imaging Technician:
Susan A. Campbell

Digital Intermediate Assistant:
Donnie Creighton

Digital Intermediate Colorist:
Steven J. Scott

Digital Intermediate Editor:
Amy Pawlowski

Digital Intermediate Producer:
Michael Kennedy

Digital Producer:
Bonnie Lemon

Director:
Kerry Conran

Director of Photography:
Eric Adkins

Dolly Grip:
Eric Aupetit

Dresser:
Jenny Hawkins

Driver:
Darren Thackeray

Editor:
Sabrina Plisco

Editorial Coordinator:
Paul Sadeghi

Editorial Services:
Valance Eisleben

Executive Producer:
Bill Haber
Raffaella De Laurentiis
Aurelio De Laurentiis

Executive Visual Effects Producer:
Marc Sadeghi

Extras Casting:
Jennifer Alessi

First Assistant Camera:
Mark Barrs

First Assistant Editor:
Erik Jessen

First Assistant Sound Editor:
Mark A. Tracy

Foley Artist:
Robin Harlan

Foley Mixer:
Randy Singer

Foley Supervisor:
Valerie Davidson

Gaffer:
Sean Haeseler

Grip:
Tony Rowland

Hairstylist:
Betty Glasow

Head of Production:
Carole Cowley

I/O Supervisor:
Brian Miller

Intern:
Greg Manke

Key Hair Stylist:
Kay Georgiou

Lead Animator:
H Haden Hammond

Lighting Artist:
Anthony Fung

Lighting Supervisor:
Steven Swanson

Lighting Technician:
Justin Hammond

Loader:
Dylan Jones

Makeup Artist:
Eloisa De Laurentiis

Makeup Effects:
Gary Pollard

Matchmove Supervisor:
Tim Dobbert

Matte Painter:
Dylan Cole

Music Editor:
Michael K. Bauer

Music Producer:
Matthias Gohl

Orchestrator:
Robert Elhai

Original Music Composer:
Edward Shearmur

Post Production Assistant:
Jason Beale

Post Production Coordinator:
Sarah Ogletree

Post Production Supervisor:
Clark Henderson

Presenter:
Jon Avnet

Producer:
Sadie Frost
Jude Law
Marsha Oglesby
Jon Avnet

Production Assistant:
Olivier Beaulieu

Production Coordinator:
Omar McClinton

Production Design:
Kevin Conran

Production Executive:
Michael Taylor

Production Manager:
Marcia Gay

Production Supervisor:
Matthew Feitshans

Property Master:
David E. Harshbarger

Researcher:
Simon Eves

Rigging Gaffer:
Brandon Evans

Rigging Grip:
James Mann

Rotoscoping Artist:
Richard Gervan

Script Supervisor:
Sally Jones

Second Assistant Director:
Ben Howard

Second Unit Director of Photography:
Tim Wooster

Senior Animator:
John Velazquez

Senior Visual Effects Supervisor:
Scott E. Anderson

Sequence Supervisor:
David Wainstain

Set Designer:
Judy Bradbury

Set Medic:
Elton Farla

Software Engineer:
James Rothrock

Sound Designer:
Todd Toon

Sound Effects Editor:
Adam Kopald

Sound Mixer:
David Crozier

Sound Re-Recording Mixer:
Terry Porter

Special Effects Coordinator:
Richard O. Helmer

Special Effects Supervisor:
Trevor Wood

Special Effects Technician:
Christopher Brennan

Stand In:
Colette Appleby

Standby Painter:
Jonathan Downing

Still Photographer:
Keith Hamshere

Storyboard Artist:
Jesse D'Angelo

Stunt Coordinator:
Mark Henson

Stunt Double:
Nicola 'Nikki' Berwick

Supervising Producer:
Margaux Mackay

Supervising Sound Editor:
Todd Toon

Supervising Technical Director:
Alec Bartsch

Systems Administrators & Support:
Devin Bunje

Third Assistant Director:
Chris Burgess

Title Designer:
Chad Danieley

Utility Stunts:
Sophia M. Crawford

Video Assist Operator:
Tony Rush

Visual Effects:
Christopher Hobbs

Visual Effects Art Director:
Aaron Sims

Visual Effects Compositor:
Radost Yonkova Ridlen

Visual Effects Coordinator:
Christopher Almerico

Visual Effects Editor:
Tim Coulter
Tom Barrett

Visual Effects Producer:
Melissa Brockman

Visual Effects Production Assistant:
James Dornoff

Visual Effects Production Manager:
Bill Murphy

Visual Effects Supervisor:
Tim Alexander

Wardrobe Assistant:
Rebecca Gore

Wardrobe Master:
Steven Kirkby

Wardrobe Supervisor:
Anne Brault

Writer:
Kerry Conran

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.