A work in constant progress (and occasional regress).
Birthplace:
Rome, Lazio, Italy
Born:
July 17, 1955
Francesca Marciano (Rome, July 17, 1955) is an Italian writer, screenwriter and actress. With Maledetto il giorno che t'ho incontrato, a film directed by Carlo Verdone, she won a David di Donatello for best screenplay in 1992. In New York she met Stefania Casini with whom she wrote the screenplay for her first film, which would become the film Lontano da dove produced by Gaumont Italia, which she directed with Casini. The film went into competition in Venice in 1983, achieving a fair amount of success. Returning to Italy that year, she directs an episode of the collective film Provvisorio quasi d'amore born of a collaboration with filmmakers from the Indigena group, including Silvio Soldini, Paolo Rosa, Enrico Ghezzi, Giancarlo Soldi and Daniele Segre. After this second experience as a director, however, she realized that her path was writing, and from this time on she worked exclusively as a screenwriter. At the end of the 1980s, after writing Turné for the direction of Gabriele Salvatores, and after collaborating with Carlo Verdone on three films, she moved permanently to Kenya. In the years that followed he traveled to Ghana, Benin, Togo, Somalia, Sudan, and Tanzania, making numerous reportages for RAI. He wrote his first novel, in English, Rules of the Wild, set in Kenya, which was purchased by Pantheon publishing house, published in New York in 1998 and later translated into seventeen countries. Mondadori published it under the title Uncovered Sky. It was followed by two more novels Red House and The End of Manners, later also published in Italy by Longanesi and translated into more than ten languages. With the novel Red House she won the Rapallo Carige Prize for Women Writers in 2003. Her book The Other Language came out in the United States in 2014 with Pantheon, and in 2015 in Italy with Bompiani, Isola grande Isola piccola.
Director:
1983 Lontano da dove
1988 Provvisorio, quasi d'amore
Idea:
1983 Lontano da dove
1988 Provvisorio, quasi d'amore
2015 Me, Myself and Her
Screenplay:
1983 Lontano da dove
1988 Provvisorio, quasi d'amore
1990 Turné
1992 Maledetto il giorno che t'ho incontrato
1994 Perdiamoci di vista
1996 Iris Blond
1996 Ritorno a casa Gori
2003 I'm Not Scared
2004 L'amore è eterno finché dura
2009 Raise Your Head
2010 La scuola è finita
2012 Me & You
2013 Honey
2015 Me, Myself and Her
2016 Pericle
2018 Euphoria
2020 You Came Back
2023 A Brighter Tomorrow
Story:
1983 Lontano da dove
1988 Provvisorio, quasi d'amore
1990 Turné
1992 Maledetto il giorno che t'ho incontrato
1994 Perdiamoci di vista
1996 Iris Blond
1996 La mia generazione
1996 Ritorno a casa Gori
1997 Un Paradiso di Bugie
2003 I'm Not Scared
2004 L'amore è eterno finché dura
2008 Signorina Effe
2009 Raise Your Head
2010 La scuola è finita
2010 Me, Them and Lara
2012 Me & You
2013 A Five Star Life
2013 Honey
2015 Me, Myself and Her
2016 Pericle
2018 Euphoria
2020 You Came Back
2023 A Brighter Tomorrow
Writer:
1983 Lontano da dove
1988 Provvisorio, quasi d'amore
1990 Turné
1992 Maledetto il giorno che t'ho incontrato
1994 Perdiamoci di vista
1996 Iris Blond
1996 La mia generazione
1996 Ritorno a casa Gori
1997 Un Paradiso di Bugie
2003 I'm Not Scared
2004 L'amore è eterno finché dura
2005 Don't Tell
2008 Signorina Effe
2009 Raise Your Head
2010 La scuola è finita
2010 Me, Them and Lara
2012 Me & You
2013 A Five Star Life
2013 Honey
2015 Me, Myself and Her
2016 Pericle
2018 Euphoria
2020 You Came Back
2023 A Brighter Tomorrow
2024 Vanished into the Night
Creator:
2024 The Art of Joy
Writer:
1992 Love at First Sight
2024 The Art of Joy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.