A work in constant progress (and occasional regress).
Release Date:
August 20, 1976
Original Title:
La casa dalle finestre che ridono
Alternate Titles:
Contrato de Sangre
Das Haus der lachenden Fenster
Het Huis met de Lachende Vensters
La maison aux fenêtres qui rient
The House of the Laughing Windows
The House with Laughing Windows
Genres:
Horror | Mystery | Thriller
Production Companies:
A.M.A. Film
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 110
A young restorer is commissioned to save a fresco representing the suffering of St. Sebastiano, which was painted on the wall of a local church by a mysterious, long-dead artist.
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Assistant Camera:
Antonio Scaramuzza
Assistant Director:
Cesare Bastelli
Assistant Editor:
Maurizio Cucciola
Piera Gabutti
Viviana Massi
Assistant Production Design:
Otello Taglietti
Boom Operator:
Rodolfo Montagnani
Camera Operator:
Giorgio Urbinelli
Costume Design:
Luciana Morosetti
Director:
Pupi Avati
Director of Photography:
Pasquale Rachini
Editor:
Giuseppe Baghdighian
Electrician:
Francesco Rachini
Hairstylist:
Francesco Musico
Key Grip:
Mario Pizzi
Makeup Artist:
Giovanni Amadei
Music:
Amedeo Tommasi
Painter:
Michelangelo Giuliani
Producer:
Antonio Avati
Gianni Minervini
Production Assistant:
Alessandro Vivarelli
Production Design:
Luciana Morosetti
Screenplay:
Antonio Avati
Pupi Avati
Gianni Cavina
Maurizio Costanzo
Seamstress:
Teresa Lai
Sound Effects Editor:
Massimo Anzellotti
Sound Mixer:
Venanzio Biraschi
Enrico Blasi
Special Effects:
Giovanni Corridori
Special Effects Technician:
Luciano Anzellotti
Story:
Pupi Avati
Antonio Avati
Unit Manager:
Sergio Bollino
Wigmaker:
Carboni
Fiamma Rocchetti
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.