A work in constant progress (and occasional regress).
Post Production Supervisor:
2019 Modalità aereo
2019 Se mi vuoi bene
2022 Bla Bla Baby
Post-Production Manager:
2012 Il sogno del maratoneta
2013 Something Good
2019 DolceRoma
2019 Modalità aereo
2019 Se mi vuoi bene
2022 Bla Bla Baby
Producer:
2012 Il sogno del maratoneta
2013 Something Good
2018 Nevermind
2019 DolceRoma
2019 Modalità aereo
2019 Se mi vuoi bene
2022 Bla Bla Baby
VFX Supervisor:
2012 Il sogno del maratoneta
2013 Something Good
2018 Nevermind
2019 DolceRoma
2019 Modalità aereo
2019 Se mi vuoi bene
2021 All Star - Ritorno al cinema
2022 Bla Bla Baby
Visual Effects Producer:
2012 Il sogno del maratoneta
2013 Something Good
2018 Nevermind
2019 DolceRoma
2019 Modalità aereo
2019 Se mi vuoi bene
2021 All Star - Ritorno al cinema
2022 ...Watch Out, We're Mad
2022 Bla Bla Baby
2022 Con chi viaggi
2022 Under the Amalfi Sun
2024 Cortina Express
2024 The Trainers
Post Production Supervisor:
2009 Nel nome del male
Visual Effects Producer:
2009 Nel nome del male
2024 La lunga notte - La caduta del Duce
Visual Effects Supervisor:
2009 Nel nome del male
2023 Sono Lillo
2024 La lunga notte - La caduta del Duce
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.