A work in constant progress (and occasional regress).
Release Date:
July 13, 2022
Original Title:
Sotto il sole di Amalfi
Alternate Titles:
A tűzforró nap alatt - az Amalfi parton
O Sol de Amalfi
Under solen i Amalfi
Under the Amalfi Sun
Unter Der Sonne Amalfis
阿玛菲艳阳天
아말피의 태양 아래
Genres:
Comedy | Romance
Production Companies:
Lucky Red
Production Countries:
Italy
Ratings / Certifications:
BR: 12 FR: 10 GB: 12 US: PG-13
Runtime: 90
A year after their romance began in Riccione, Vincenzo and Camilla reunite for a vacation on the picturesque Amalfi Coast and put their love to the test.
Assistant Camera:
Cristian D'Alessio
Niccolò Di Guida
Assistant Editor:
Nicolò Diosi
Boom Operator:
Luca Grillo
Camera Operator:
Pietro Comini
Casting:
Stefania Rodà
Costume Design:
Patrizia Mazzon
Delegated Producer:
Serena Sostegni
Elena Santoro
Director:
Martina Pastori
Director of Photography:
Edoardo Carlo Bolli
Editor:
Gianluca Scarpa
Executive Producer:
Tommaso Arrighi
First Assistant Director:
Federico Nuti
Gaffer:
Marco di Stefano
Hair Department Head:
Massimo De Pellegrino
Key Grip:
Valter Pavia
Line Producer:
Veronica D'Aloisi
Makeup Department Head:
Ilenia Corini
Music Supervisor:
Giovanni Arcadu
Original Music Composer:
Matteo Curallo
Post Production Supervisor:
Romina Franzini
Producer:
Mattia Guerra
Stefano Massenzi
Andrea Occhipinti
Production Design:
Giada Calabria
Production Manager:
Rita Lagonigro
Screenplay:
Enrico Vanzina
Caterina Salvadori
Ciro Zecca
Script Supervisor:
Francesca D'Antoni
Second Assistant Director:
Angela Bulleri
Set Decoration:
Loredana Raffi
Sound:
Marco Grillo
Sound Designer:
Matteo Bendinelli
Sound Editor:
Fabio D'Amico
Filippo Barracco
Sound Mixer:
Gianni Pallotto
Story:
Enrico Vanzina
Caterina Salvadori
Ciro Zecca
Visual Effects Coordinator:
Antonio Concilio
Visual Effects Producer:
Daniele Tomassetti
Visual Effects Supervisor:
Fabio Tomassetti
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.