A work in constant progress (and occasional regress).
Alias:
Eva Vaníková
Costumer:
1958 Kasaři
1960 Great Solitude
1960 Skid
1961 Žalobníci
1962 Pohádka o staré tramvaji
1963 Death Is Called Engelchen
1964 Einstein kontra Babinský
1965 Golden Queen
1965 Strakatí andělé
1966 Crime at the Girls School
1966 Dva tygři
1967 Martyrs of Love
1967 The End of Agent W4C
1968 Královský omyl
1968 The Valley of the Bees
1970 Adelheid
1971 Kam slunce nechodí...
1972 Člověk není sám
1974 Quails and King
1974 Tři nevinní
1974 Who Looks for Gold?
1975 Do We Match Each Other, Darling?
1976 Prodaná nevěsta
1978 Rusalka
1980 Friday Is No Holiday
1981 Sugar House
1982 How the World Is Losing Poets
1982 Serpent's Poison
1982 V podstatě jsme normální
1983 Fandy ó Fandy
1983 Schůzka se stíny
1984 Katapult
1984 Sestricky
1985 Kouzelníkův návrat
1990 The Seventh Day, the Eighth Night
Lead Costumer:
1958 Kasaři
1960 Great Solitude
1960 Skid
1961 Žalobníci
1962 Pohádka o staré tramvaji
1963 Death Is Called Engelchen
1964 Einstein kontra Babinský
1965 Golden Queen
1965 Strakatí andělé
1966 Crime at the Girls School
1966 Dva tygři
1967 Martyrs of Love
1967 The End of Agent W4C
1968 Královský omyl
1968 The Valley of the Bees
1970 Adelheid
1971 Kam slunce nechodí...
1972 Člověk není sám
1974 Quails and King
1974 Tři nevinní
1974 Who Looks for Gold?
1975 Do We Match Each Other, Darling?
1976 Prodaná nevěsta
1978 Rusalka
1980 Concert at the End of Summer
1980 Friday Is No Holiday
1981 Sugar House
1982 How the World Is Losing Poets
1982 Serpent's Poison
1982 V podstatě jsme normální
1983 Fandy ó Fandy
1983 Schůzka se stíny
1984 Katapult
1984 Sestricky
1985 Kouzelníkův návrat
1990 The Seventh Day, the Eighth Night
Lead Costumer:
1973 Duhový luk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.