A work in constant progress (and occasional regress).
Release Date:
March 12, 1982
Original Title:
V podstatě jsme normální
Genres:
Comedy
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 88
The film follows Karel Novák, who is appointed as the head of a research institute's new department. His ambitious wife, Eva, sees this as an opportunity for social advancement. She quits her job, turns their apartment into a hair salon, and begins networking with influential people. However, her efforts entangle Karel in a web of shady business dealings, including a dubious connection with a foreign company, Djungarden. As misunderstandings and comedic mishaps unfold, Karel finds himself in trouble with the police, while Eva struggles to maintain control over their chaotic rise in society.
Assistant Camera:
Jiří Zavřel
Assistant Director:
Roman Kopřivík
Assistant Editor:
Erika Vojáčková
Ruth Kubalíková
Assistant Production Design:
František Císař
Assistant Production Manager:
Vojtěch Panáček
Camera Operator:
Eduard Kadeřábek
Clapper Loader:
Renata Stádníková
Conductor:
Mario Klemens
Costume Design:
Šárka Hejnová
Costumer:
Hana Mesteková
Eva Martincová
Creative Producer:
Miloš Brož
Director:
Otakar Fuka
Director of Photography:
Jiří Tarantík
Dramaturgy:
Věra Kalábová
Vladimír Bor
Editor:
Zdeněk Stehlík
First Assistant Director:
Aleš Dospiva
Makeup & Hair:
Jiří Hurych
Tomáš Kuchta
Šárka Šimůnková
Original Music Composer:
Petr Hapka
Production Design:
Oldřich Bosák
Production Manager:
Oldřich Mach
Screenplay:
Jiří Just
Otakar Fuka
Script:
Irena Klausová
Set Decoration:
Ladislav Winkelhöfer
Karel Karas
Vladimír Ježek
Sound:
František Fabián
Still Photographer:
Zdeněk Dukát
Story:
Jiří Just
Unit Production Manager:
Eva Charvátová
Iva Šetková
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.