Pam Grier (b. 1949)

Alias:
Pam Greer
Pamela Grier
Pamela Suzette Grier
帕姆·格里爾

Birthplace:
Winston-Salem, North Carolina, USA

Born:
May 26, 1949

Pamela Suzette Grier (born May 26, 1949) is an American actress. Described by Quentin Tarantino as cinema's first female action star, she achieved fame for her starring roles in a string of 1970s action, blaxploitation, and women in prison films for American International Pictures and New World Pictures. Her accolades include nominations for an Emmy Award, a Golden Globe Award, a Screen Actors Guild Award, a Satellite Award, and a Saturn Award.  Grier came to prominence with her titular roles in the films Coffy (1973) and Foxy Brown (1974); her other major films during this period included The Big Doll House (1971), Women in Cages (1971), The Big Bird Cage (1972), Black Mama, White Mama (1973), Scream Blacula Scream (1973), The Arena (1974), Sheba, Baby (1975), Bucktown (1975), and Friday Foster (1975). She portrayed the title character in Quentin Tarantino's crime film Jackie Brown (1997), and also appeared in Escape from L.A. (1996), Jawbreaker (1999), Holy Smoke!, (1999), Bones (2001), Just Wright (2010), Larry Crowne (2011), and Poms (2019).  On television, Grier portrayed Eleanor Winthrop in the Showtime comedy-drama series Linc's (1998–2000), Kate "Kit" Porter on the Showtime drama series The L Word (2004–2009), and Constance Terry in the ABC sitcom Bless This Mess (2019–2020). She received praise for her work in the animated series Happily Ever After: Fairy Tales for Every Child (1999).  Description above from the Wikipedia article Pam Grier, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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