A work in constant progress (and occasional regress).
Alias:
Pam Greer
Pamela Grier
Pamela Suzette Grier
帕姆·格里爾
Birthplace:
Winston-Salem, North Carolina, USA
Born:
May 26, 1949
Pamela Suzette Grier (born May 26, 1949) is an American actress. Described by Quentin Tarantino as cinema's first female action star, she achieved fame for her starring roles in a string of 1970s action, blaxploitation, and women in prison films for American International Pictures and New World Pictures. Her accolades include nominations for an Emmy Award, a Golden Globe Award, a Screen Actors Guild Award, a Satellite Award, and a Saturn Award. Grier came to prominence with her titular roles in the films Coffy (1973) and Foxy Brown (1974); her other major films during this period included The Big Doll House (1971), Women in Cages (1971), The Big Bird Cage (1972), Black Mama, White Mama (1973), Scream Blacula Scream (1973), The Arena (1974), Sheba, Baby (1975), Bucktown (1975), and Friday Foster (1975). She portrayed the title character in Quentin Tarantino's crime film Jackie Brown (1997), and also appeared in Escape from L.A. (1996), Jawbreaker (1999), Holy Smoke!, (1999), Bones (2001), Just Wright (2010), Larry Crowne (2011), and Poms (2019). On television, Grier portrayed Eleanor Winthrop in the Showtime comedy-drama series Linc's (1998–2000), Kate "Kit" Porter on the Showtime drama series The L Word (2004–2009), and Constance Terry in the ABC sitcom Bless This Mess (2019–2020). She received praise for her work in the animated series Happily Ever After: Fairy Tales for Every Child (1999). Description above from the Wikipedia article Pam Grier, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Thanks:
1990 Chicago Joe and the Showgirl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.