A work in constant progress (and occasional regress).
Release Date:
December 25, 1975
Original Title:
Friday Foster
Alternate Titles:
Assassinio all'aeroporto
Friday Foster - Im Netz der Schwarzen Witwe
Hämnd på ögonvittne
Im Netz der Schwarzen Spinne
La panthère est de retour
Samatas sti villa ton paranomon
Genres:
Action | Thriller
Production Companies:
American International Pictures
Production Countries:
United States of America
Ratings / Certifications:
DE: 18|16 US: R
Runtime: 90
Friday Foster, a magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to assassinate Tarr. Foster photographs the melee and is plunged into a web of conspiracy involving the murder of her childhood friend, a US senator, and a shadowy plan called "Black Widow".
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Assistant Director:
Gene De Ruelle
Boom Operator:
Chic Borland
Camera Operator:
James R. Connell
Casting:
Geno Havens
Comic Book:
Jim Lawrence
Craft Service:
Jerry Reilich
Director:
Arthur Marks
Director of Photography:
Harry J. May
Driver:
Joseph Sullivan
Editor:
Stanley Frazen
Executive In Charge Of Production:
Charles Stroud
Gaffer:
Gary Haselbusch
Key Grip:
Frank Keever
Makeup Artist:
Bob Westmoreland
Louis Lane
Original Music Composer:
Luchi De Jesus
Producer:
Arthur Marks
Production Assistant:
James Cone
Dave Wilder
Michael Neale
Production Executive:
David Sheldon
Production Secretary:
Jude Walden
Production Supervisor:
Beau Marks
Property Master:
Phil Macaluso
Propmaker:
Greg Auer
Screenplay:
Orville H. Hampton
Script Supervisor:
Gordon Otto
Set Dresser:
Tommy Estridge
Sound Effects:
John Post
Sound Mixer:
George Malley
Story:
Arthur Marks
Stunt Coordinator:
Dick Geary
Stunts:
Jadie David
Transportation Captain:
Joel Marrow
Unit Manager:
Morris R. Abrams
Wardrobe Master:
Izzy Berne
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.