A work in constant progress (and occasional regress).
Birthplace:
Hendon, Middlesex, England, UK
ADR Mixer:
1975 Alfie Darling
Boom Operator:
1953 Street Corner
1975 Alfie Darling
Sound:
1953 Street Corner
1965 The New Men
1968 The Great Pony Raid
1970 Let There Be Light
1974 Location North Sea
1974 Wsp
1975 Alfie Darling
1975 Sea Area Forties
1978 Brutes and Savages
1979 Planet Water
Sound Mixer:
1953 Street Corner
1965 The New Men
1968 The Great Pony Raid
1970 Let There Be Light
1973 Steptoe & Son Ride Again
1974 Location North Sea
1974 Wsp
1975 Alfie Darling
1975 Bloodbath
1975 Conquest of Light
1975 Sea Area Forties
1978 Brutes and Savages
1979 Planet Water
1981 Das Boot
1983 Meantime
1984 The NeverEnding Story
Sound Re-Recording Mixer:
1953 Street Corner
1964 Where Has Poor Mickey Gone?
1965 The New Men
1968 The Great Pony Raid
1970 Let There Be Light
1973 Steptoe & Son Ride Again
1974 And Then There Were None
1974 Location North Sea
1974 Wsp
1975 Alfie Darling
1975 Bloodbath
1975 Conquest of Light
1975 Penelope Pulls It Off
1975 Sea Area Forties
1977 Orca
1978 Brutes and Savages
1979 Goldengirl
1979 Planet Water
1981 Das Boot
1983 Meantime
1983 Red Monarch
1984 The NeverEnding Story
Sound Recordist:
1953 Street Corner
1964 Where Has Poor Mickey Gone?
1965 The New Men
1968 The Great Pony Raid
1970 Let There Be Light
1973 Steptoe & Son Ride Again
1974 And Then There Were None
1974 Location North Sea
1974 Wsp
1975 Alfie Darling
1975 Bloodbath
1975 Conquest of Light
1975 Penelope Pulls It Off
1975 Sea Area Forties
1975 The Spiral Staircase
1977 Orca
1978 Brutes and Savages
1979 Goldengirl
1979 Planet Water
1981 Das Boot
1983 Meantime
1983 Red Monarch
1984 The NeverEnding Story
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.