A work in constant progress (and occasional regress).
Release Date:
October 16, 1983
Original Title:
Meantime
Alternate Titles:
Időközben
Parastaikaa
민타임
Genres:
Comedy | Drama | TV Movie
Production Companies:
Central Productions
Film4 Productions
Mostpoint
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 107
A working-class family in London's East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis is working; father Frank and the couple's two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.
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Art Direction:
Diana Charnley
Assistant Art Director:
Chris Seagers
Assistant Editor:
Jeremy Hume
Assistant Sound Editor:
Peter Joly
Toby Reisz
Boom Operator:
Mike Shoring
Eddie Dougall
Carpenter:
Steve Ede
Casting Director:
Sue Whatmough
Clapper Loader:
Adam Walton
Continuity:
Heather Storr
Costume Design:
Lindy Hemming
Director:
Mike Leigh
Director of Photography:
Roger Pratt
Editor:
Lesley Walker
Electrician:
Roger Bonnici
John Cantwell
First Assistant Director:
Chris Rose
Focus Puller:
Brian Herlihy
Gaffer:
Ted Read
Graphic Designer:
Mon Mohan
Grip:
John Abrahams
Makeup Artist:
Sandra Shepherd
Original Music Composer:
Andrew Dickson
Producer:
Graham Benson
Production Accountant:
Neil Chaplin
Production Manager:
Vivien Pottersman
Property Master:
Dave Newton
Props:
Steve Wheeler
Second Assistant Director:
Steve Finn
Sound Editor:
Charles Ware
Sound Mixer:
Trevor Pyke
Sound Recordist:
Malcolm Hirst
Still Photographer:
Ed Buziak
Unit Publicist:
Joanna Campling
Wardrobe Supervisor:
Sue Gibson
Writer:
Mike Leigh
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.