A work in constant progress (and occasional regress).
Assistant Camera:
1997 Marquise
2010 Basilicata Coast to Coast
2018 I'm Back
2018 Little Tito and the Aliens
2019 The Immortal
Camera Operator:
1997 Marquise
2010 Basilicata Coast to Coast
2014 Greenery Will Bloom Again
2018 I'm Back
2018 Little Tito and the Aliens
2019 The Immortal
First Assistant "A" Camera:
1997 Marquise
2010 Basilicata Coast to Coast
2014 Greenery Will Bloom Again
2015 A Bigger Splash
2018 Contromano
2018 I'm Back
2018 Little Tito and the Aliens
2019 The Immortal
First Assistant "B" Camera:
1997 Marquise
2010 Basilicata Coast to Coast
2010 Dirty War
2014 Greenery Will Bloom Again
2015 A Bigger Splash
2015 Partly Cloudy with Sunny Spells
2017 Black Butterfly
2018 Contromano
2018 I'm Back
2018 Little Tito and the Aliens
2019 The Immortal
First Assistant Camera:
1997 Marquise
2000 The Prince's Manuscript
2010 Basilicata Coast to Coast
2010 Dirty War
2010 Niente orchidee
2011 The Cardboard Village
2014 Greenery Will Bloom Again
2015 A Bigger Splash
2015 Partly Cloudy with Sunny Spells
2017 Black Butterfly
2018 Contromano
2018 I'm Back
2018 Little Tito and the Aliens
2019 The Immortal
2019 The Staggering Girl
Focus Puller:
1997 Marquise
2000 The Prince's Manuscript
2010 Basilicata Coast to Coast
2010 Dirty War
2010 Niente orchidee
2011 The Cardboard Village
2014 Greenery Will Bloom Again
2015 A Bigger Splash
2015 Partly Cloudy with Sunny Spells
2017 Black Butterfly
2018 Contromano
2018 I'm Back
2018 Little Tito and the Aliens
2019 The Immortal
2019 The Staggering Girl
2021 Beckett
First Assistant "A" Camera:
2025 The Count of Monte Cristo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.