A work in constant progress (and occasional regress).
Release Date:
November 6, 2014
Original Title:
Torneranno i prati
Alternate Titles:
15-18: L'Italia in guerra
Genres:
War
Production Companies:
Cinemaundici
Ipotesi Cinema
RAI Cinema
Production Countries:
Italy
Ratings / Certifications:
DE: 12 DK: 11 IL: 12 JP: PG12 PL: 12 SE: 11
Runtime: 76
World War I, Italian north-eastern front after the 1917 bloody battles on the Altipiano. A group of soldiers face the difficulty of war in a story that unfolds in the space of one night. Events follow one after the other without any kind of pattern: the peaceful mountains suddenly become a place where men die. But every story told in this film is a true story.
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Accountant:
Emanuela Brocheri
Administration:
Rita Favone
Maurizio Ramaccini
Animal Wrangler:
Massimo Rigoni
Ana Vittorio Veneto
Assistant Costume Designer:
Marco Berrettoni
Assistant Decorator:
Ilaria Bassoli
Assistant Hairstylist:
Denis Ronzato
Assistant Makeup Artist:
Valentina Tomljanovič
Assistant Production Design:
Giliano Carli
Assistant Property Master:
Matteo Segafredo
Pierantonio Armellini
Luciano Della Bona
Nicola De Marchi
Sergio Pozza
Eugenio Pozza
Marco Rigoni
Marco Silvagni
Mario Tessari
Assistant Set Decoration:
Claudia Avventi
Boom Operator:
Alessandro Romano
Camera Operator:
Fabio Ciotto
Casting Assistant:
Barbara Rigoni
Enrica Carli
Co-Director:
Maurizio Zaccaro
Co-Producer:
Paolo Del Brocco
Color Assistant:
Silvia Lombardo
Construction Manager:
Alberto Silvagni
Imerio Mosele
Costume Assistant:
Sonia Travaglia
Manuela Ambrosini
Mario Brogiolo
Costume Consultant:
Giorgio Cantelli
Costume Design:
Andrea Cavalletto
Costume Supervisor:
Maurizio Millenotti
Decorator:
Sandro Bettin
Digital Colorist:
Donato Casale
Digital Compositor:
Francesco Surace
Director:
Ermanno Olmi
Director of Photography:
Fabio Olmi
Draughtsman:
Nicoletta Scroccaro
Driver:
Fabrizio Mochi
Editor:
Paolo Cottignola
Electrician:
Elvis Musicco
Paolo Centoni
Guido Rigoni
Executive Visual Effects Producer:
Massimo Germoglio
Finance:
Mauro Monachini
Salvatore Pecoraro
First Assistant Camera:
Diego Vallini
First Assistant Director:
Alessandra Gori
Foley Artist:
Mario Giacco
Gaffer:
Fabio Proserpio
Genetator Operator:
Alessio Zacchiniello
Grip:
Tommaso Baratto
Antonio Viola
Stefano Rigoni
Hairstylist:
Daniela Tartari
Key Grip:
Marco Alzetta
Legal Services:
Sara Villani
Francesca Agrati
Alessio Lazzareschi
Makeup Artist:
Dalia Colli
Music:
Paolo Fresu
Payroll Accountant:
Francesca Scutti
Post Production Supervisor:
Monica Verzolini
Presenter:
Luigi Musini
Elisabetta Olmi
Producer:
Luigi Musini
Olivia Musini
Elisabetta Olmi
Production Accountant:
Nicoletta Grillo
Production Coordinator:
Roberta De Luca
Production Design:
Giuseppe Pirrotta
Production Manager:
Giacomo Gagliardo
Francesco Ruggeri
Production Secretary:
Lorenzo Cisola
Cesare Azzolini
Leonardo Zovi
Fabio Micolano
Fabio Di Pasquale
Property Master:
Fabio Medori
Publicist:
Viviana Ronzitti
Screenplay:
Ermanno Olmi
Script Supervisor:
Federica Ravera
Seamstress:
Sabrina Salvitti
Second Assistant Camera:
Aluna Orano
Stefano Slocovich
Silverio Chiappara
Second Assistant Director:
Emanuele Imbucci
Simone Covini
Short Story:
Federico De Roberto
Sound:
Francesco Liotard
Sound Editor:
Francesco Liotard
Sound Effects Editor:
Alessandro Giacco
Sound Engineer:
Carlo Cantini
Sound Mixer:
Francesco Tumminello
Special Effects:
Danilo Bollettini
Stefano Corridori
Marco Corridori
Special Effects Manager:
Renato Agostini
Still Photographer:
Itaca di Simone Falso
Story:
Federico De Roberto
Title Designer:
Daniele Zambelli
Video Assist Operator:
Luca Benetti
Visual Effects Producer:
Fabrizio Nastasi
Flavia Messina
Visual Effects Supervisor:
Fabrizio Nastasi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.