A work in constant progress (and occasional regress).
Colorist:
2014 Day Ten
2018 Bombshell: The Hedy Lamarr Story
2020 Memory Xperiment: Kathy Acker
2021 Breakaway
2022 A Tree of Life: The Pittsburgh Synagogue Shooting
2022 Flight/Risk
2022 Joel Kim Booster: Psychosexual
2023 Bleecker
Digital Intermediate Colorist:
2014 Day Ten
2016 Project X
2018 Bombshell: The Hedy Lamarr Story
2018 Robin Williams: Come Inside My Mind
2020 Memory Xperiment: Kathy Acker
2021 Breakaway
2022 A Tree of Life: The Pittsburgh Synagogue Shooting
2022 Flight/Risk
2022 Joel Kim Booster: Psychosexual
2023 Bleecker
Digital Intermediate Editor:
2014 Day Ten
2014 This Is Where I Leave You
2016 Project X
2018 Bombshell: The Hedy Lamarr Story
2018 Robin Williams: Come Inside My Mind
2020 Memory Xperiment: Kathy Acker
2021 Breakaway
2022 A Tree of Life: The Pittsburgh Synagogue Shooting
2022 Flight/Risk
2022 Joel Kim Booster: Psychosexual
2023 Bleecker
Colorist:
2009 30 for 30
2018 Joe Pera Talks With You
2021 Obama: In Pursuit of a More Perfect Union
2022 Lincoln's Dilemma
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.