A work in constant progress (and occasional regress).
Release Date:
July 13, 2021
Original Title:
Breakaway
Genres:
Comedy | Documentary | Drama | Horror
Production Companies:
ESPN Films
Rock’n Robin Productions
Production Countries:
Canada | India | United States of America
Ratings / Certifications:
N/A
Runtime: 75
Maya Moore was one of the best women’s basketball players in the world when she stepped away from the sport in 2019 for a remarkable reason: to fight for a man she believed was wrongly imprisoned. “Breakaway” chronicles a search for justice, and a relationship that changed the lives of two people forever.
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Accounting Supervisor:
Jay Rubin
Pete Olshansky
Archival Footage Coordinator:
Manon Blackman
Assistant Editor:
Victor Artesona
Associate Producer:
Samantha Cutler
Color Assistant:
Tom Younghans
Colorist:
Allie Ames
Director:
Rudy Valdez
Director of Photography:
Rudy Valdez
Editor:
Viridiana Lieberman
Francesca Kustra
Executive Producer:
Robin Roberts
John R. Green
Lindsay Kagawa Colas
Reni Calister
Finishing Producer:
Patriciana Tenicela
Graphic Designer:
Dan Arnklit
Sara Roma
Makeup & Hair:
Nasetia Windham
Danielle Mitchell
Music Editor:
Phil Palazzolo
Original Music Composer:
Sam Bisbee
Producer:
Meghan Schale
Production Manager:
Nicole Angel
Sound Engineer:
Phil Fuller
Sound Post Production Coordinator:
Ashley Foy
Sound Re-Recording Mixer:
Eliott Taylor
Sound Recordist:
Emily Strong
Zack Thorpe
Transcriptions:
Misty Madden
Chelsey Madden
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.