A work in constant progress (and occasional regress).
Alias:
استیون هاپکینز
Birthplace:
Jamaica
Born:
November 1, 1958
Stephen Hopkins is a Jamaican-born film director and producer. He is best-known for his continuation of the Nightmare on Elm Street franchise with A Nightmare on Elm Street 5: The Dream Child and the Predator franchise with Predator 2. His highest grossing film however was the 1998 film adaption of the TV series Lost in Space. He was born in Jamaica and was raised in Australia and England. He was educated at Sutton Valence School. In 2004, Hopkins directed the controversial biopic The Life and Death of Peter Sellers which raised the ire of the actor's son Michael Sellers. Hopkins was a co-executive producer for the first season of the Fox action drama 24, and also directed half of the season's episodes, including the first and last episodes.
Additional Writing:
1988 Dangerous Game
Assistant Director:
1986 Highlander
1988 Dangerous Game
Director:
1986 Highlander
1987 John Farnham: Whispering Jack In Concert
1988 Dangerous Game
1989 A Nightmare on Elm Street: The Dream Child
1990 Predator 2
1993 Judgment Night
1994 Blown Away
1994 Vault of Horror I
1996 The Ghost and the Darkness
1998 Lost in Space
1999 Tube Tales
2000 Under Suspicion
2004 The Life and Death of Peter Sellers
2007 The Reaping
2012 Beautiful People
2016 Race
2020 The Dark Tower
Producer:
1986 Highlander
1987 John Farnham: Whispering Jack In Concert
1988 Dangerous Game
1989 A Nightmare on Elm Street: The Dream Child
1990 Predator 2
1993 Judgment Night
1994 Blown Away
1994 Vault of Horror I
1996 The Ghost and the Darkness
1998 Lost in Space
1999 Tube Tales
2000 Under Suspicion
2004 The Life and Death of Peter Sellers
2007 The Reaping
2012 Beautiful People
2016 Race
2019 Seberg
2020 The Dark Tower
Writer:
1986 Highlander
1987 John Farnham: Whispering Jack In Concert
1988 Dangerous Game
1989 A Nightmare on Elm Street: The Dream Child
1990 Predator 2
1993 Judgment Night
1994 Blown Away
1994 Vault of Horror I
1996 The Ghost and the Darkness
1998 Lost in Space
1999 Tube Tales
2000 Under Suspicion
2004 The Life and Death of Peter Sellers
2007 The Reaping
2012 Beautiful People
2016 Race
2019 Seberg
2020 The Dark Tower
Co-Executive Producer:
2001 24
Director:
1989 Tales from the Crypt
2001 24
2004 Traffic
2007 Californication
2008 In Plain Sight
2009 The Unusuals
2010 Thorne
2011 Shameless
2012 House of Lies
2017 24: Legacy
2020 The Fugitive
2023 Liaison
???? Beautiful People
Executive Consultant:
1989 Tales from the Crypt
2001 24
2004 Traffic
2007 Californication
2008 In Plain Sight
2009 The Unusuals
2010 Thorne
2011 Shameless
2012 House of Lies
2017 24: Legacy
2020 The Fugitive
2023 Liaison
???? Beautiful People
Executive Producer:
1989 Tales from the Crypt
2001 24
2004 Traffic
2007 Californication
2008 In Plain Sight
2009 The Unusuals
2010 Thorne
2011 Shameless
2012 House of Lies
2017 24: Legacy
2020 The Fugitive
2023 Liaison
???? Beautiful People
Producer:
1989 Tales from the Crypt
2001 24
2004 Traffic
2007 Californication
2008 In Plain Sight
2009 The Unusuals
2010 Thorne
2011 Shameless
2012 House of Lies
2017 24: Legacy
2020 The Fugitive
2023 Liaison
???? Beautiful People
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.