A work in constant progress (and occasional regress).
Dialogue Editor:
2015 My Friend from the Park
Foley:
2015 My Friend from the Park
2018 We
Foley Artist:
2015 My Friend from the Park
2016 The Candidate
2018 El Potro: Unstoppable
2018 The Quietude
2018 We
2019 Blue Boy
2019 The Sharks
Foley Editor:
2015 My Friend from the Park
2016 The Candidate
2018 El Potro: Unstoppable
2018 The Quietude
2018 We
2019 Blue Boy
2019 The Sharks
2020 My Valentine
Foley Mixer:
2015 My Friend from the Park
2015 The Movement
2016 The Candidate
2017 Encantados
2018 El Potro: Unstoppable
2018 The Last Man
2018 The Quietude
2018 We
2019 Blue Boy
2019 The Sharks
2020 My Valentine
Foley Recordist:
2014 Unfriended
2015 My Friend from the Park
2015 The Movement
2016 The Candidate
2017 Encantados
2018 El Potro: Unstoppable
2018 The Last Man
2018 The Quietude
2018 We
2019 Blue Boy
2019 The Sharks
2020 My Valentine
Sound:
2014 Unfriended
2015 Gulliver
2015 My Friend from the Park
2015 The Movement
2016 The Candidate
2017 Encantados
2018 El Potro: Unstoppable
2018 The Last Man
2018 The Quietude
2018 We
2019 Blue Boy
2019 The Sharks
2020 My Valentine
Sound Designer:
2014 Unfriended
2015 Gulliver
2015 My Friend from the Park
2015 The Movement
2016 The Candidate
2017 Encantados
2018 A Family Submerged
2018 El Potro: Unstoppable
2018 The Last Man
2018 The Quietude
2018 We
2019 Blue Boy
2019 The Sharks
2019 Too Late to Die Young
2020 My Valentine
2023 Red, White & Brass
Sound Director:
2014 The Island
2014 Unfriended
2015 Gulliver
2015 My Friend from the Park
2015 The Movement
2016 The Candidate
2017 Encantados
2018 A Family Submerged
2018 El Potro: Unstoppable
2018 The Last Man
2018 The Quietude
2018 We
2019 Blue Boy
2019 The Sharks
2019 Too Late to Die Young
2020 My Valentine
2023 Red, White & Brass
Sound Editor:
2014 History of Fear
2014 Mar
2014 The Island
2014 Unfriended
2015 Gulliver
2015 My Friend from the Park
2015 The Clan
2015 The Movement
2016 The Candidate
2017 Encantados
2018 A Family Submerged
2018 El Potro: Unstoppable
2018 The Last Man
2018 The Quietude
2018 We
2019 Blue Boy
2019 The Sharks
2019 Too Late to Die Young
2020 My Valentine
2023 Red, White & Brass
Sound Effects Editor:
2014 History of Fear
2014 Mar
2014 The Island
2014 Unfriended
2015 Gulliver
2015 My Friend from the Park
2015 The Clan
2015 The Movement
2016 The Candidate
2017 Encantados
2018 A Family Submerged
2018 El Potro: Unstoppable
2018 The Last Man
2018 The Quietude
2018 We
2019 Blue Boy
2019 The Sharks
2019 Too Late to Die Young
2020 My Valentine
2023 Red, White & Brass
2023 Summer Brother
Sound Recordist:
2014 History of Fear
2014 Mar
2014 The Island
2014 Unfriended
2015 Gulliver
2015 My Friend from the Park
2015 The Clan
2015 The Movement
2016 The Candidate
2017 Encantados
2018 A Family Submerged
2018 El Potro: Unstoppable
2018 The Last Man
2018 The Quietude
2018 Theatre of War
2018 We
2019 Blue Boy
2019 The Sharks
2019 Too Late to Die Young
2020 My Valentine
2023 Red, White & Brass
2023 Summer Brother
Supervising Sound Editor:
2014 History of Fear
2014 Mar
2014 The Island
2014 Unfriended
2015 Gulliver
2015 My Friend from the Park
2015 The Clan
2015 The Movement
2016 The Candidate
2017 Encantados
2018 A Family Submerged
2018 El Potro: Unstoppable
2018 The Last Man
2018 The Quietude
2018 Theatre of War
2018 We
2019 Blue Boy
2019 The Sharks
2019 Too Late to Die Young
2020 My Valentine
2023 Red, White & Brass
2023 Summer Brother
Foley Editor:
2020 The Luminaries
Sound Mix Technician:
2020 The Luminaries
2024 Time Bandits
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.