A work in constant progress (and occasional regress).
Neo Sora is a Japanese-American filmmaker, translator, and artist living and working between New York and Tokyo. His works have been written up in Variety and Cahiers du Cinéma, and recently, Filmmaker Magazine has named Neo one of the 25 New Faces of Independent Film. His installation and video artworks have been shown around the globe at the 2019 Singapore Biennale, the 2019 Dojima River Biennale, Watari-um Museum of Contemporary Art, and the 2017 Reborn-Art Festival, among others.
Additional Camera:
2022 Beba
Cinematography:
2021 Ainu Neno An Ainu
2022 Beba
Director:
2020 The Chicken
2021 Ainu Neno An Ainu
2022 Beba
2022 Ryuichi Sakamoto: Playing the Piano 2022
2022 Sugar Glass Bottle
2023 Ryuichi Sakamoto: Opus
2024 Happyend
Director of Photography:
2017 Ryuichi Sakamoto: Coda
2018 Ryuichi Sakamoto: async at the Park Avenue Armory
2019 The Inconceivable Mountain
2020 The Chicken
2021 Ainu Neno An Ainu
2022 Beba
2022 Ryuichi Sakamoto: Playing the Piano 2022
2022 Sugar Glass Bottle
2023 Ryuichi Sakamoto: Opus
2024 Happyend
Editor:
2017 Ryuichi Sakamoto: Coda
2018 Ryuichi Sakamoto: async at the Park Avenue Armory
2019 The Inconceivable Mountain
2020 The Chicken
2021 Ainu Neno An Ainu
2022 Beba
2022 Ryuichi Sakamoto: Playing the Piano 2022
2022 Sugar Glass Bottle
2023 Ryuichi Sakamoto: Opus
2024 Happyend
Screenplay:
2017 Ryuichi Sakamoto: Coda
2018 Ryuichi Sakamoto: async at the Park Avenue Armory
2019 The Inconceivable Mountain
2020 The Chicken
2021 Ainu Neno An Ainu
2022 Beba
2022 Ryuichi Sakamoto: Playing the Piano 2022
2022 Sugar Glass Bottle
2023 Ryuichi Sakamoto: Opus
2024 Happyend
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.