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Happyend (2024) [N/A]

Release Date:
October 4, 2024

Original Title:
HAPPYEND

Alternate Titles:
Earthquake

Genres:
Drama

Production Companies:
Cinema Inutile
Cineric Creative
Giraffe Pictures
K-Garage
Purple Tree Content
Sons of Rigor
Spark Features
Zakkubalan

Production Countries:
Japan | Singapore | United Kingdom | United States of America

Ratings / Certifications:
HK: IIA  KR: 12  PH: R-13  SG: PG13  TW: 6+ 

Runtime: 113

Something big is about to change.

Overview from TheMovieDB

A near-future city in Japan awaits destruction as the it is rocked by a series of foreshocks that predict a larger, more disastrous quake on the horizon. With the anxiety looming over them, a group of teenage best friends and musicians get into typical teenager trouble that tests the strength of their relationships.

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Production

Co-Executive Producer:
Samuel Sagan
Su Ching Teh
Engin Yenidünya
Teoh Yi Peng

Director:
Neo Sora

Director of Photography:
Bill Kirstein

Editor:
Albert Tholen

Executive Producer:
Robina Riccitiello
Ema Ryan Yamazaki
Douglas Choi
Kaoru Hayashi

Music:
Lia Ouyang Rusli

Producer:
Alex C. Lo
Aiko Masubuchi
Albert Tholen
Anthony Chen
Eric Nyari

Screenplay:
Neo Sora

Sound Editor:
大保達哉

Sound Supervisor:
Miki Nomura

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.