A work in constant progress (and occasional regress).
Director:
2016 En busca del muñeco perdido
2022 El Aliento
Editor:
2016 En busca del muñeco perdido
2016 Hesperidina Express
2020 History of the Occult
2022 El Aliento
2024 A Mother's Embrace
???? La hora de los brujos
Executive Producer:
2016 En busca del muñeco perdido
2016 Hesperidina Express
2020 History of the Occult
2022 El Aliento
2024 A Mother's Embrace
???? La hora de los brujos
Sound:
2013 Diciembre
2016 En busca del muñeco perdido
2016 Hesperidina Express
2017 Everything's Not So Awful
2019 On the Table
2020 Distant Light - Part 1, the unfortunates
2020 History of the Occult
2021 What Will Summer Bring
2022 Algo que pasó en Año Nuevo
2022 El Aliento
2024 A Mother's Embrace
2024 The Lesser Evil
???? La hora de los brujos
Sound Designer:
2013 Diciembre
2016 En busca del muñeco perdido
2016 Hesperidina Express
2017 Everything's Not So Awful
2019 On the Table
2020 Distant Light - Part 1, the unfortunates
2020 History of the Occult
2021 Ski
2021 What Will Summer Bring
2022 Algo que pasó en Año Nuevo
2022 El Aliento
2024 A Mother's Embrace
2024 The Lesser Evil
???? La hora de los brujos
Sound Director:
2013 Diciembre
2015 Short Story on the Planet
2016 En busca del muñeco perdido
2016 Hesperidina Express
2017 Everything's Not So Awful
2019 On the Table
2020 Distant Light - Part 1, the unfortunates
2020 History of the Occult
2021 Ski
2021 What Will Summer Bring
2022 Algo que pasó en Año Nuevo
2022 El Aliento
2024 A Mother's Embrace
2024 The Lesser Evil
???? La frecuencia Kirlian: La película
???? La hora de los brujos
Sound Effects Editor:
2013 Diciembre
2015 Short Story on the Planet
2016 All About Asado
2016 En busca del muñeco perdido
2016 Hesperidina Express
2017 Everything's Not So Awful
2019 On the Table
2020 Distant Light - Part 1, the unfortunates
2020 History of the Occult
2021 Ski
2021 What Will Summer Bring
2022 Algo que pasó en Año Nuevo
2022 El Aliento
2024 A Mother's Embrace
2024 The Lesser Evil
???? La frecuencia Kirlian: La película
???? La hora de los brujos
Sound Post Production Coordinator:
2013 Diciembre
2015 Short Story on the Planet
2016 All About Asado
2016 En busca del muñeco perdido
2016 Hesperidina Express
2017 Everything's Not So Awful
2019 On the Table
2020 Distant Light - Part 1, the unfortunates
2020 History of the Occult
2021 Ski
2021 Something that happened in quarantine
2021 What Will Summer Bring
2022 Algo que pasó en Año Nuevo
2022 El Aliento
2024 A Mother's Embrace
2024 The Lesser Evil
???? La frecuencia Kirlian: La película
???? La hora de los brujos
Sound Post Supervisor:
2013 Diciembre
2015 Short Story on the Planet
2016 All About Asado
2016 En busca del muñeco perdido
2016 Hesperidina Express
2017 Everything's Not So Awful
2019 On the Table
2020 Distant Light - Part 1, the unfortunates
2020 History of the Occult
2021 Ski
2021 Something that happened in quarantine
2021 What Will Summer Bring
2022 Algo que pasó en Año Nuevo
2022 El Aliento
2024 A Mother's Embrace
2024 The Lesser Evil
???? La frecuencia Kirlian: La película
???? La hora de los brujos
Sound Designer:
2017 The Kirlian Frequency
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.