A work in constant progress (and occasional regress).
Release Date:
January 13, 2020
Original Title:
Historia de lo oculto
Alternate Titles:
Historia okultyzmu
History of the Occult
História do Oculto
Паранормальное. Прямой эфир
Genres:
Drama | Horror | Thriller
Production Companies:
Tangram Cine
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 82
During the last broadcast of 60 Minutes Before Midnight, the most watched journalistic program on television, Adrián Marcato could expose a conspiracy and link the government to a obscure secret society.
Art Direction:
Laura Roldán
Ignacio Buendía
Assistant Director:
Roberto Bernasconi
Lucas Luna
Victoria Potenzoni
Camera Operator:
Ignacio Ferrand
Mauro Braga
Tatiana Garro
Luisina Anderson
Sebastián Miglio
Color Grading:
Camilo Giordano
Gabriel Mallea
Director:
Cristian Ponce
Director of Photography:
Franco Cerana
Camilo Giordano
Editor:
Hernán Biasotti
Cristian Ponce
Electrician:
Gabriel Mallea
Executive Producer:
Mauricio Aché
Hernán Bengoa
Cristian Ponce
Matías Fabro
Hernán Biasotti
Franco Cerana
Pedro Saieg
Gaffer:
Julián Olmedo
Graphic Designer:
Hernán Bengoa
Grip:
Francisco Vacas
Andrés Buglio
Hair Designer:
Alejandra Suniar Gonda
Makeup Designer:
Alejandra Suniar Gonda
Original Music Composer:
Marcelo Cataldo
Producer:
Pedro Saieg
Production Manager:
Pedro Saieg
Screenplay:
Cristian Ponce
Script Supervisor:
Iris Kaufman
Agostina Sarmiento Parlatore
Pilar Labayen
Sound Director:
Hernán Biasotti
Sound Re-Recording Assistant:
Hernán Bengoa
Daniel Morel
Laureano Disipio
Special Effects:
Alejandra Suniar Gonda
Still Photographer:
Valentín Caso Rosendi
Lucas Iocco
Visual Effects:
Cristian Ponce
Joaquín Kierbel
Wardrobe Supervisor:
Ignacio Buendía
Laura Roldán
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.