A work in constant progress (and occasional regress).
Assistant Director:
1991 Xavier
1993 The End of the World
Producer:
1991 Xavier
1993 The End of the World
1999 Joaquim Bravo, Évora 1935, Etc. Etc. Felicidades
2003 A Filha
2003 Amanhã
2004 Conversas com Glícínia
2006 Nikias Skapinakis: O Teatro Dos Outros
2007 Carlos de Oliveira: Upon the Left Side
2009 António Sena - A Mão Esquiva
2017 Fernando Lemos - Como, Não é Retrato?
Production Director:
1991 Xavier
1993 The End of the World
1999 Joaquim Bravo, Évora 1935, Etc. Etc. Felicidades
2003 A Filha
2003 Amanhã
2004 Conversas com Glícínia
2006 Nikias Skapinakis: O Teatro Dos Outros
2007 Carlos de Oliveira: Upon the Left Side
2009 A Felicidade
2009 António Sena - A Mão Esquiva
2017 Fernando Lemos - Como, Não é Retrato?
Second Assistant Director:
1987 The Jester
1991 Xavier
1993 The End of the World
1999 Joaquim Bravo, Évora 1935, Etc. Etc. Felicidades
2003 A Filha
2003 Amanhã
2004 Conversas com Glícínia
2006 Nikias Skapinakis: O Teatro Dos Outros
2007 Carlos de Oliveira: Upon the Left Side
2009 A Felicidade
2009 António Sena - A Mão Esquiva
2017 Fernando Lemos - Como, Não é Retrato?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.