A work in constant progress (and occasional regress).
Release Date:
October 31, 1987
Original Title:
O Bobo
Genres:
Drama
Production Companies:
Animatógrafo
Fundação Calouste Gulbenkian
Instituto Português do Cinema (IPC)
Production Countries:
Portugal
Ratings / Certifications:
N/A
Runtime: 120
Set four years after the Portuguese revolution and the simultaneous loss of the Portuguese empire in Africa, the story concerns a director who sells guns to finance his play.
Art Direction:
Jasmim de Matos
Assistant Director:
Pedro Correia Martins
Assistant Editor:
José Manuel de S. Lopes
Helena Baptista
Carpenter:
José Carlos Pratas
Continuity:
Maria Amaral
Cristina Correia Martins
Olívia Varela
Director:
José Álvaro Morais
Director of Photography:
Mário de Carvalho
Octávio Espírito Santo
Editor:
José Nascimento
Luís Sobral
Executive Producer:
José Álvaro Morais
Hairstylist:
Vítor Hugo
Makeup Artist:
Alda Matos
Maria Gonzaga
Paula Raimundo
Music:
Pedro Caldeira Cabral
Carlos de Azevedo
Carlos Zíngaro
Music Consultant:
José Ribeiro da Fonte
Novel:
Alexandre Herculano
Producer:
António da Cunha Telles
Production Assistant:
Albertina Espírito Santo
Ana Maria Casaca
João Sodré
Annette Boer
Production Manager:
Henrique Espírito Santo
Production Secretary:
Emília Rosa
Property Master:
João Luís
Screenplay:
José Álvaro Morais
Rafael Godinho
Second Assistant Director:
Alexandre Delgado O'Neill
Manuel João Águas
Sound:
Joaquim Pedro Jacobetty
Vasco Pimentel
Sound Assistant:
Pedro Lopes
Sound Mixer:
Pedro Melo
Wardrobe Designer:
José Luís Barbosa
Eduardo Anahory
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.