A work in constant progress (and occasional regress).
Boom Operator:
2020 Twelve Thousand
Cinematography:
2020 Twelve Thousand
2022 Ghost Song
Sound:
2017 Le vice caché des Navajos
2020 Twelve Thousand
2022 Ghost Song
2022 Our Bodies Are Your Battlefields
2022 Vacances
2023 1992,83
Sound Designer:
2017 Le vice caché des Navajos
2020 Anna Vernor II
2020 Twelve Thousand
2022 Ghost Song
2022 Our Bodies Are Your Battlefields
2022 Vacances
2023 1992,83
Sound Director:
2017 Chose mentale
2017 Le vice caché des Navajos
2020 Anna Vernor II
2020 Twelve Thousand
2022 Ghost Song
2022 Our Bodies Are Your Battlefields
2022 Vacances
2023 1992,83
Sound Editor:
2013 Silence
2017 Chose mentale
2017 Le vice caché des Navajos
2020 Anna Vernor II
2020 Twelve Thousand
2022 Ghost Song
2022 Our Bodies Are Your Battlefields
2022 Vacances
2023 1992,83
Sound Engineer:
2013 Silence
2017 Chose mentale
2017 Le vice caché des Navajos
2020 Anna Vernor II
2020 Twelve Thousand
2022 Ghost Song
2022 Our Bodies Are Your Battlefields
2022 Poitiers
2022 Tear It Down
2022 Vacances
2023 1992,83
Sound Mixer:
2013 Silence
2017 Chose mentale
2017 Le vice caché des Navajos
2020 Anna Vernor II
2020 Twelve Thousand
2022 Ghost Song
2022 Our Bodies Are Your Battlefields
2022 Poitiers
2022 Tear It Down
2022 Vacances
2023 1992,83
2023 Des étoiles
Sound Recordist:
2013 Silence
2017 Chose mentale
2017 Le vice caché des Navajos
2020 Anna Vernor II
2020 Twelve Thousand
2021 The Swarm
2022 Black Soldier
2022 Ghost Song
2022 Our Bodies Are Your Battlefields
2022 Poitiers
2022 Tear It Down
2022 Vacances
2023 1992,83
2023 Des étoiles
2023 Rascals
2025 Dead Man's Boots
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.