A work in constant progress (and occasional regress).
Release Date:
March 19, 2025
Original Title:
Prosper
Genres:
Comedy | Fantasy
Production Companies:
Wild West
Production Countries:
France
Ratings / Certifications:
N/A
One evening, Prosper, a loser Uber driver who still lives with his mother, picks up a dying man who has just been shot. Freaked out, Prosper gets rid of the body but not before stealing his pair of crocodile boots. As he slips them on, Prosper finds himself inhabited by the spirit of the deceased: King - a respected gangster feared by all. Split between these two opposing personalities, Prosper and King, united in one body, investigate to unmask King's killer.
Additional First Assistant Camera:
Antoine Le Corre
Administration:
Esther Pauvert
Assistant Production Manager:
Anna Amorena Aguirrezabal
Assistant Sound Editor:
Rémy Tabouret
Colorist:
Eugenie Claudel
Costume Design:
Rossini David
Data Management Technician:
Samy Kim
Dialogue Editor:
Noemy Oraison
Director:
Yohann Gloaguen
Director of Photography:
Thomas Brémond
Executive Producer:
Nathan Jactel
First Assistant Camera:
Gabriel Thibault-Langlois
First Assistant Director:
Augustin Grison
Foley Artist:
Gilles Marsalet
Gaffer:
Edouard Alvernhe
Line Producer:
Maxime Herve
Location Manager:
Juliette Hubert
Original Music Composer:
John Kaced
Producer:
Thierry Lounas
Vincent Maraval
Jean-Pascal Zadi
Property Master:
Romain Scavazza
Screenplay:
Yohann Gloaguen
Second Assistant Camera:
Louise Berthelemy
Second Assistant Director:
Asia Raffenel
Sound Editor:
Fabien Beillevaire
Geoffrey Perrier
Sound Mixer:
Jules Jasko
Sound Recordist:
Maxime Berland
Stunt Coordinator:
Olivier Fornara
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.