A work in constant progress (and occasional regress).
Alias:
George Lafitte
Editor:
2016 Pin-Up, the Revenge of a Sex Symbol
Mix Technician:
2016 Pin-Up, the Revenge of a Sex Symbol
2017 De Gaulle, the Last King of France
2020 Manufacturing Ignorance
Sound:
2016 Pin-Up, the Revenge of a Sex Symbol
2017 De Gaulle, the Last King of France
2020 Manufacturing Ignorance
2022 Ruins: A History of Contemporary Warfare
Sound Mixer:
1995 Psychedelic Trance: Music Is My Drug
2007 Off the Road
2008 Stranded: I've Come from a Plane That Crashed on the Mountains
2010 The Rebel, Louise Michel
2014 Foucault Against Himself
2016 And Man Created the Cow
2016 Nos bébés ont une histoire
2016 Pin-Up, the Revenge of a Sex Symbol
2016 Shoyu and the Secrets of Japanese Cuisine
2017 De Gaulle, the Last King of France
2018 Jeunesses hitlériennes : L'endoctrinement d'une nation
2019 Hitler's Evil Science
2019 The Phoney War
2020 Entretien politique : Histoire et mode d'emploi
2020 Manufacturing Ignorance
2021 François Mitterrand & Anne Pingeot: Pieces of a Love Story
2022 Ruins: A History of Contemporary Warfare
Sound Re-Recording Mixer:
1995 Psychedelic Trance: Music Is My Drug
2007 Off the Road
2008 Stranded: I've Come from a Plane That Crashed on the Mountains
2010 L'appel du 18 juin
2010 The Rebel, Louise Michel
2014 Foucault Against Himself
2016 And Man Created the Cow
2016 Nos bébés ont une histoire
2016 Pin-Up, the Revenge of a Sex Symbol
2016 Shoyu and the Secrets of Japanese Cuisine
2017 De Gaulle, the Last King of France
2018 Jeunesses hitlériennes : L'endoctrinement d'une nation
2019 Hitler's Evil Science
2019 The Phoney War
2020 Entretien politique : Histoire et mode d'emploi
2020 Manufacturing Ignorance
2021 François Mitterrand & Anne Pingeot: Pieces of a Love Story
2022 Ruins: A History of Contemporary Warfare
2023 Chile: A Troublesome Legacy
Sound Recordist:
1995 Psychedelic Trance: Music Is My Drug
2007 Off the Road
2008 Stranded: I've Come from a Plane That Crashed on the Mountains
2010 L'appel du 18 juin
2010 The Rebel, Louise Michel
2014 Foucault Against Himself
2016 And Man Created the Cow
2016 Nos bébés ont une histoire
2016 Pin-Up, the Revenge of a Sex Symbol
2016 Shoyu and the Secrets of Japanese Cuisine
2017 De Gaulle, the Last King of France
2018 Jeunesses hitlériennes : L'endoctrinement d'une nation
2019 Hitler's Evil Science
2019 The Phoney War
2020 Entretien politique : Histoire et mode d'emploi
2020 Manufacturing Ignorance
2021 François Mitterrand & Anne Pingeot: Pieces of a Love Story
2022 Ruins: A History of Contemporary Warfare
2023 Chile: A Troublesome Legacy
Mix Technician:
2020 Gulag, the Story
Mixing Engineer:
1987 Le Monde En Face
2020 Gulag, the Story
Sound Mixer:
1987 Le Monde En Face
2009 Einsatzgruppen: The Nazi Death Squads
2014 39-45, de la France occupée à la France libérée
2015 Das Reich: Hitler's Death Squads
2020 Gulag, the Story
2020 Ku Klux Klan: An American Story
2025 Jean-Marie Le Pen : À l'extrême
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.