A work in constant progress (and occasional regress).
Release Date:
September 5, 2023
Original Title:
Chili, par la raison ou par la force
Alternate Titles:
Chile: Träume, Terror, Neuanfang
Genres:
Documentary | History | TV Movie
Production Companies:
ARTE
CNC
ZED
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 91
The rejection of the project for a new, more socially just constitution by the Chilean people in 2022 has reignited the conflicts that have plagued the country for five decades. On September 11, 1973, in a bloody military coup, General Pinochet ended the socialist revolution launched by President Salvador Allende, legitimately elected in a democratic election. The subsequent dictatorial regime with fascist features brought great violence and terror to the Chilean people. The accompanying neo-liberal economic system, which made the country one of the richest in the region, led to an ever-widening social gap in society, which in turn fell into a kind of passivity. In 2019, long after the dictator was voted out of office and the democratization that followed, a new social movement is shaking the prevailing order. From Allende's socialism to Pinochet's fascism, this historical fresco in documentary form returns to the origins of the rupture.
Co-Producer:
Fabrice Puchault
Anne Grolleron
Director:
Paul Le Grouyer
Director of Photography:
Rodrigo Vazquez
Editor:
Paul Le Grouyer
Executive Producer:
Marion Papillon
Original Music Composer:
Stéphane Lopez
Producer:
Manuel Catteau
Sound:
Rodrigo Vazquez
Sound Editor:
Frédéric Commault
Sound Re-Recording Mixer:
Georges Lafitte
Writer:
Paul Le Grouyer
Lucie Pastor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.