Home

Cameron S. Mitchell (b. 1991)

Gallery Unavailable

Birthplace:
Ypsilanti - Michigan - USA

Born:
February 28, 1991

Biography from TheMovieDB

Cameron S. Mitchell is a Director, Writer, and DP who specializes in character-driven stories that look at the way outlier individuals break the mold of societal expectations. His award-winning work spans the gamut of the film industry, from an extensive background in Documentary to Dark Comedy, Horror, and Science Fiction. Cameron's work has been featured on Netflix, Hulu, HBO, Amazon, PBS, CBS, and includes Emmy award winning shows such as Cat People (Netflix), Mare of Easttown (HBO: Behind the Scenes), and the Drew Barrymore Show (CBS). His career spans over a decade of major feature films and television shows including camera operator work on Paint (Starring Owen Wilson), Iron Fist (Marvel, Netflix), A Little Bit Pregnant with Danielle Brooks (Netflix), The Garden Left Behind (SXSW Audience Award Winner, Dir. Flavio Alvez) as well as DP work on Kurt Vonnegut: Unstuck in Time (Hulu), Resurrection (IFC Behind the Scenes, Sundance Official Selection, Starring Rebecca Hall and Tim Roth). He is the Director/DP of Elsa (PBS American Masters, Winner: Filmocracy), The Co-Op (Winner: Bergen International Film Festival, Slamdance Official Selection), Branded (Temple News Documentary of the Year), and Heartbeat (Winner: LA Music Video Awards, Winner: Awareness Film Festival). You can view many of these award-winning projects and more at his website.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

Film Production

"A" Camera Operator:
2021  One December Night

"B" Camera Operator:
2021  One December Night
2023  Paint

Assistant Camera:
2021  One December Night
2023  Hold to Dash
2023  Paint

Best Boy Electric:
2020  Forever Red
2021  One December Night
2023  Hold to Dash
2023  Paint

Camera Operator:
2020  Forever Red
2021  One December Night
2023  Hold to Dash
2023  Paint
2025  Disposable Humanity

Cinematography:
2017  The Listing
2019  The Co-Op
2020  Forever Red
2021  One December Night
2023  Hold to Dash
2023  Paint
2025  Disposable Humanity

Director:
2017  The Listing
2019  The Co-Op
2020  Forever Red
2021  One December Night
2023  Elsa
2023  Hold to Dash
2023  Paint
2025  Disposable Humanity

Director of Photography:
2015  Deadly Gamble
2017  The Listing
2019  The Co-Op
2020  Forever Red
2021  Kurt Vonnegut: Unstuck in Time
2021  One December Night
2023  Elsa
2023  Hold to Dash
2023  Paint
2025  Disposable Humanity

Editor:
2015  Deadly Gamble
2017  The Listing
2019  The Co-Op
2020  Forever Red
2021  Kurt Vonnegut: Unstuck in Time
2021  One December Night
2023  Elsa
2023  Hold to Dash
2023  Paint
2025  Disposable Humanity

Producer:
2015  Deadly Gamble
2017  The Listing
2019  The Co-Op
2020  Forever Red
2021  Kurt Vonnegut: Unstuck in Time
2021  One December Night
2023  Elsa
2023  Hold to Dash
2023  Paint
2025  Disposable Humanity

Second Assistant Camera:
2015  Deadly Gamble
2017  The Listing
2019  The Co-Op
2020  Forever Red
2021  Kurt Vonnegut: Unstuck in Time
2021  One December Night
2023  Elsa
2023  Hold to Dash
2023  Paint
2025  Disposable Humanity

Steadicam Operator:
2015  Deadly Gamble
2017  The Listing
2019  The Co-Op
2020  Forever Red
2021  Kurt Vonnegut: Unstuck in Time
2021  One December Night
2023  Elsa
2023  Hold to Dash
2023  Paint
2025  Disposable Humanity

Writer:
2015  Deadly Gamble
2017  The Listing
2019  The Co-Op
2020  Forever Red
2021  Kurt Vonnegut: Unstuck in Time
2021  One December Night
2023  Elsa
2023  Hold to Dash
2023  Paint
2025  Disposable Humanity

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.