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Forever Red (2020) [N/A]

Release Date:
October 2, 2020

Original Title:
Forever Red

Genres:
Drama

Production Companies:
Grand Production Films
Puzzle Piece Pictures

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 16

The Mud Takes Everything

Overview from TheMovieDB

Two former intelligence operatives from the cold war reunite 40 years later and are forced to confront a dark secret from their past.

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Additional information:

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Trailer

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Performers

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Production

Attorney:
Diane Leigh Davison

Best Boy Electric:
Cameron S. Mitchell

Colorist:
Matthew Riggieri

Craft Service:
Mike Foley
John Wagner

Director:
Garrett Adams

Director of Photography:
John Grove

Editor:
Leviticus Almanzar

First Assistant Camera:
Brandon Habuda

First Assistant Director:
DaVaughn Moody

Foley Artist:
Michael De Maglie

Foley Editor:
Michael De Maglie
Macklin Regan

Gaffer:
Grey Adkins

Graphic Designer:
Lucas Edward English

Grip:
Joe Austin
Brian Billak
Drew Loughlin
Daniel Peebles

Key Grip:
Ahmad Asaad
Jaime Nudd

Key Makeup Artist:
Meghan Liberto

Loader:
Dave Geatty

Makeup Artist:
Morgan Rush

Orchestrator:
Sean Barrett

Producer:
Benjamin Mehr

Production Assistant:
Liam Arnold
Luke Poole

Production Designer:
Samuel Getty

Production Manager:
Benjamin Mehr

Script Supervisor:
Christopher Pompa

Second Assistant Camera:
Ahmad Asaad
Cameron S. Mitchell

Sound:
Mack McLaughlin

Special Effects Technician:
Doug Sakmann

Still Photographer:
Liam Arnold

Writer:
Steve Miles

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.