A work in constant progress (and occasional regress).
Alias:
ملانی لوران
メラニー・ロラン
梅拉尼·罗兰
멜라니 로랑
Birthplace:
Paris, France
Born:
February 21, 1983
Mélanie Laurent (French pronunciation: [melani loʁɑ̃]; born 21 February 1983) is a French actress and filmmaker. She is an accomplished actress in the French film industry and the recipient of two César Awards and a Lumières Award. Internationally, Laurent is best known for her roles in Inglourious Basterds (2009), Now You See Me (2013), Operation Finale (2018) and 6 Underground (2019). Laurent began acting at age sixteen, cast by Gérard Depardieu in a small role in the romantic drama The Bridge (1999). She gained wider recognition for supporting work in several French films, including the comedy Dikkenek (2006), for which she won Étoiles d'Or for Best Female Newcomer. Her breakthrough role came in the 2006 drama film Don't Worry, I'm Fine, for which she won the César Award for Most Promising Actress and the Prix Romy Schneider. Laurent made her Hollywood debut in 2009 with the role of Shosanna Dreyfus in Quentin Tarantino's blockbuster war film Inglourious Basterds. Her performance won the Online Film Critics Society and the Austin Film Critics Association Best Actress Awards. While she has worked mainly in independent films, including Paris (2008) and Enemy (2013), Laurent also appeared in commercially successful international films, including the comedy-drama Beginners (2011) and the caper film Now You See Me (2013), the former earning her a nomination at the San Diego Film Critics Society Award for Best Supporting Actress. Her other notable works include the art-house drama The Round Up (2010), the comedy-drama The Day I Saw Your Heart (2011), and the mystery thriller Night Train to Lisbon (2013). She is also known for voicing Mary Katherine and Disgust in the French dubs of Epic (2013) and Inside Out (2015). Additionally, she starred in Chris Weitz's 2018 drama Operation Finale, telling the story of the capture of Nazi Adolf Eichmann. In addition to her film career, Laurent has appeared in stage productions in France. She made her theatre debut in 2010 in Nicolas Bedos's Promenade de santé. The short film De moins en moins (2008) marked her debut as a filmmaker. Her feature film directorial debut is The Adopted (2011). Respire (2014), her second production as a director, was screened in the Critics' Week section at the 2014 Cannes Film Festival. She made her singing debut with a studio album, En attendant (Waiting For You), in 2011. Description above from the Wikipedia article Mélanie Laurent, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
2008 Less and Less
2011 The Adopted
2014 Breathe
2015 Tomorrow
2017 Diving
2018 Galveston
2021 The Mad Women's Ball
2023 Wingwomen
2024 Freedom
2024 Voir un ami
???? The Mother
???? The Nightingale
Producer:
2008 Less and Less
2011 The Adopted
2014 Breathe
2015 Tomorrow
2017 Diving
2018 Galveston
2021 The Mad Women's Ball
2022 No Limit
2023 Wingwomen
2024 Freedom
2024 Voir un ami
???? The Mother
???? The Nightingale
Screenplay:
2008 Less and Less
2011 The Adopted
2014 Breathe
2015 Tomorrow
2017 Diving
2018 Galveston
2021 The Mad Women's Ball
2022 No Limit
2023 Wingwomen
2024 Freedom
2024 Voir un ami
???? The Mother
???? The Nightingale
Writer:
2008 Less and Less
2011 The Adopted
2014 Breathe
2015 Tomorrow
2017 Diving
2018 Galveston
2021 The Mad Women's Ball
2022 No Limit
2023 Wingwomen
2024 Freedom
2024 Voir un ami
???? The Mother
???? The Nightingale
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.