A work in constant progress (and occasional regress).
Release Date:
December 21, 2022
Original Title:
Tempête
Alternate Titles:
Mot alle odds
Zoe & Sturm
Genres:
Drama
Production Companies:
France 2 Cinéma
IDL Films
Nolita
Pathé
TF1 Studio
Production Countries:
Canada | France
Ratings / Certifications:
DE: 6 FR: TP NO: 9 SG: PG
Runtime: 109
Growing up among horses at her parents' stud farm, Zoé dreams of becoming a jockey and forms a deep bond with a young horse. A terrible accident threatens to end their racing careers, but they fight to reach victory together.
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ADR Supervisor:
Florian Cornet
Assistant Makeup Artist:
Pauline Barki
Assistant Script:
Camille Lada
Associate Editor:
Tom Randaxhe
Boom Operator:
Henry Warluzel
Co-Producer:
Nathalie Toulza Madar
Ardavan Safaee
Costume Designer:
Alice Cambournac
Director:
Christian Duguay
Director of Photography:
Christophe Graillot
Editor:
Maxime Lahaie
Electrician:
Baptiste Imbert
Arnaud Hermeline
Thibault Bru
Bastien Leroux-Rebut
First Assistant Camera:
David Reinhard
Mathilde Cathelin
Adrien Guillaume
First Assistant Director:
Stéphane Gluck
Gaffer:
Pierre Bonnet
Grip:
Johan Lecomte
Julien Torloting
Key Makeup Artist:
Pascale Bouquière
Makeup Artist:
Chloé Van Lierde
Karine Palazzi
Novel:
Christophe Donner
Original Music Composer:
Michel Cusson
Producer:
Maxime Delauney
Romain Rousseau
Joe Iacono
Christian Duguay
Mathieu Ageron
Marie-Claude Poulin
Production Coordinator:
Charles Barberousse
Production Design:
Frédéric Grandclere
Frédérique Doublet
Screenplay:
Christian Duguay
Lilou Fogli
Script Supervisor:
Mylène Mostini
Second Assistant Camera:
Iknoyan Anouche
Second Assistant Director:
Fabien Ricour
Sound Re-Recording Mixer:
Hans Laitres
Special Effects Assistant:
Morgane Demetrau
Special Effects Makeup Artist:
Jérôme Caron
Supervising Sound Editor:
Michel B. Bordeleau
Unit Manager:
Vincent Casiro
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.